Month: May 2016

A Post About Post-Relationship Life in Literature

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Adjusting to life soon after divorce, widowhood, or the end of a non-marital romantic relationship often isn’t easy — even if the partnership was negative.

But reading about the emotionally wrenched lives of fictional characters after they break up? Well, that’s sort of like watching a horror movie relatively calmly rather than being a scared horror victim in real life. There’s enough of a remove to feel interest, fascination, and, heck, even a sense of entertainment — minus the personal angst.

Yet while reading about fictional breakups, we probably do think about our own breakups — which helps us also feel empathy for now-solo protagonists in literature. (I was divorced myself.) And those characters’ experiences can be so dramatic and curiosity-evoking. How are they coping? Will they get their lives together again? Meet someone new? If kids are involved, how are they handling things?

Of course a novel I just read made me think of this topic. It was Elizabeth Berg’s Open House, a 2000 book that starts with Samantha Morrow’s husband leaving her. Samantha struggles to keep it together emotionally, while also dealing with a sullen son made more sullen by the impending divorce. She also struggles enough financially to have to take in boarders: a nice elderly woman with a great romantic life, then a depressed young woman, and then an upbeat young gay man. Meanwhile, Samantha becomes friends with an almost-too-good-to-be-true guy, yet doesn’t see him as a potential romantic partner until…

Anne Lamott’s Blue Shoe (2002) has a somewhat similar story line as it focuses on protagonist Mattie Ryder after her marriage fails.

Then there’s Fay Weldon’s The Bulgari Connection, in which Grace McNab Salt’s dishonorable husband leaves her for the much younger, more glamorous Doris Dubois. Grace first reacts badly (she tries to run over Doris) and then more maturely (I’ll avoid spoilers here). But suffice to say that Weldon’s 2001 novel, like Open House and Blue Shoe, has inspiring and empowering moments for its female stars.

The three above books were published 2000, 2001, and 2002? What was it about novels that came out soon after the millennium turned? 🙂

Other recent or relatively recent novels with compelling post-end-of-relationship scenarios in the main plot or subplot include Fannie Flagg’s Fried Green Tomatoes at the Whistle Stop Cafe (Ruth leaves her abusive husband), Jhumpa Lahiri’s The Lowland (Subhash deals with life after his wife departs), Nadine Gordimer’s My Son’s Story (adultery in the days of apartheid), Barbara Kingsolver’s Flight Behavior (Dellarobia chooses independence over a lackluster marriage), and Terry McMillan’s How Stella Got Her Groove Back (a divorced mother finds love on vacation).

Latter-20th-century and early-21st-century novels by male authors also deal interestingly with this subject matter. For instance, there’s Gabriel Garcia Marquez’s Love in the Time of Cholera (widow decides whether to reunite with a man she was involved with five decades earlier), Jack Finney’s Time and Again (time-traveling Simon Morley finds a better relationship in the past than in the present), David Baldacci’s One Summer (about a father’s experiences after his wife’s death), Stephen King’s Rose Madder (about a woman who flees an abusive husband — and gets involved with some supernatural stuff), and John Grisham’s The Client (the book’s back story has Regina “Reggie” Love becoming a compassionate lawyer after a terrible marriage).

Then there are classic novels with plots or subplots dealing with life after marriages or relationships end — including George Eliot’s Middlemarch, Fyodor Dostoyevsky’s The Brothers Karamazov, Nathaniel Hawthorne’s The Scarlet Letter, Zora Neale Hurston’s Their Eyes Were Watching God, Colette’s The Vagabond, Kate Chopin’s The Awakening, Edith Wharton’s The Custom of the Country, W. Somerset Maugham’s The Moon and Sixpence, Graham Greene’s The Power and the Glory, and the Bronte sisters’ tremendous trifecta of Jane Eyre (Charlotte), Wuthering Heights (Emily), and The Tenant of Wildfell Hall (Anne).

What are your favorite novels with the kinds of scenarios discussed here?

(The box for submitting comments is below already-posted comments, but your new comment will appear at the top of the comments area — unless you’re replying to someone else.)

I’m writing a literature-related book, but still selling Comic (and Column) Confessional — my often-funny memoir that recalls 25 years of covering and meeting cartoonists such as Charles Schulz (“Peanuts”) and Bill Watterson (“Calvin and Hobbes”), columnists such as Ann Landers and “Dear Abby,” and other notables such as Coretta Scott King, Walter Cronkite, and various authors. The book also talks about the malpractice death of my first daughter, my remarriage, and life in Montclair, N.J. — where I write the award-winning weekly “Montclairvoyant” humor column for The Montclair Times. You can email me at dastor@earthlink.net to buy a discounted, inscribed copy of the book, which contains a preface by “Hints” columnist Heloise and back-cover blurbs by people such as “The Far Side” cartoonist Gary Larson.

A Categorical Take on Short Stories

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As with other literary genres, short stories have different “categories.” Two of those “categories” include tales that are psychologically insightful but not very plot-oriented, and more “escapist” tales that have a strong, perhaps even exciting story line leading inexorably to a conclusion.

I like many stories from each camp, and also enjoy tales that combine the two styles. As with novels, it’s great to experience reading variety!

Obviously, psychologically insightful tales can offer plenty of food for thought and reflection, even if they’re not purely entertaining. But it’s nice sometimes to just sink one’s teeth into an adventure tale that gets the blood racing.

Thanks to James Joyce, I thought about all this after reading his Dubliners collection of short stories. (Previously, I had only gotten to that collection’s final, sublime, most-famous tale, “The Dead,” by finding it online.) Many of the Dubliners stories are subtle, slice-of-life works; they don’t exactly yank a reader toward Jack Reacher-like thriller endings. Yet they delve deeply into the human psyche and the difficulties and epiphanies of life for everyday people, and also give readers a panoramic view of the Dublin of 100-plus years ago.

Many of Anton Chekhov’s short stories are similar — usually not that plot-driven, but very rich in emotions, nuances, philosophical thoughts, and character delineation. And of course it helps to be a great wordsmith, as Joyce and Chekhov were.

Contrast those kinds of tales — which can often be categorized as literary fiction — with something like Jack London’s “To Build a Fire” or Richard Connell’s “The Most Dangerous Game” that seem to run on adrenaline as they move readers toward a breathtaking climax. Or with mostly comedic stories — such as Mark Twain’s career-making “The Celebrated Jumping Frog of Calaveras County” — that may not have a huge amount of depth but sure are funny.

Then there are stories that seem to have “the best of both worlds” — psychological insight and (perhaps propulsive) drama. They include — among various other tales by various other writers — Jorge Luis Borges’ “The Aleph,” Leo Tolstoy’s “Master and Man,” George Eliot’s “The Sad Fortunes of the Reverend Amos Barton,” Nikolai Gogol’s “The Overcoat,” Edgar Allan Poe’s “The Cask of Amontillado,” Shirley Jackson’s “The Lottery,” O. Henry’s “The Last Leaf,” Kate Chopin’s “The Story of an Hour,” Graham Greene’s “Proof Positive,” Flannery O’Connor’s “A Good Man Is Hard to Find,” Nathaniel Hawthorne’s “Rappaccini’s Daughter,” Herman Melville’s “Bartleby the Scrivener,” Willa Cather’s “Paul’s Case,” Ambrose Bierce’s “An Occurrence at Owl Creek Bridge,” E.T.A. Hoffmann’s “The Sandman,” Oscar Wilde’s “The Canterville Ghost,” John Cheever’s “The Swimmer,” and Margaret Atwood’s more recent “Stone Mattress.”

What are some of your favorite short stories with psychologically insightful or escapist approaches, or a combination of the two?

(The box for submitting comments is below already-posted comments, but your new comment will appear at the top of the comments area — unless you’re replying to someone else.)

I’m writing a literature-related book, but still selling Comic (and Column) Confessional — my often-funny memoir that recalls 25 years of covering and meeting cartoonists such as Charles Schulz (“Peanuts”) and Bill Watterson (“Calvin and Hobbes”), columnists such as Ann Landers and “Dear Abby,” and other notables such as Hillary Clinton, Coretta Scott King, Walter Cronkite, and various authors. The book also talks about the malpractice death of my first daughter, my remarriage, and life in Montclair, N.J. — where I write the award-winning weekly “Montclairvoyant” humor column for The Montclair Times. You can email me at dastor@earthlink.net to buy a discounted, inscribed copy of the book, which contains a preface by “Hints” columnist Heloise and back-cover blurbs by people such as “The Far Side” cartoonist Gary Larson.

Reunited And It Feels So Good, Or Bad

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Many people like to connect with their past. Finding old friends via Facebook, attending high school and college reunions, perhaps even falling in love again with first loves. Or, on the non-nostalgic side, wanting to tell off old foes or feel satisfaction that you’re now doing better than them.

So it’s no surprise that fiction can be compelling when characters re-meet after many years.

Charlotte Bronte depicts such a scenario in Jane Eyre when Jane sees the aunt (Mrs. Reed) who treated her so badly years before. At the time of this visit, Jane is doing a lot better and can deal with her former nemesis almost dispassionately. Later in the novel, of course, there’s also that legendary reunion of Jane and Rochester.

In Jane Austen’s Persuasion, the thwarted relationship between Anne Elliott and Frederick Wentworth has a chance to be rekindled seven years later, and it warms the heart.

Five decades after a youthful relationship, Florentino has an opportunity to reunite with Fermina after her husband dies in Gabriel Garcia Marquez’s Love in the Time of Cholera.

The adult protagonist of William Goldman’s Magic meets the woman he had a crush on when he was a loner boy and she a popular girl in school. Now he’s sort of famous and she’s flailing in life, and they reconnect in a seemingly successful way. But what ensues doesn’t exactly warm the heart.

Childhood relationships resumed in adulthood permeate Donna Tartt’s The Goldfinch. As a boy, the protagonist Theo sees a girl (Pippa) in New York City’s Metropolitan Museum of Art just before the museum is bombed, and eventually meets and re-meets her — all while maintaining an unrequited love. Also, the adult Theo ends up in a mismatched engagement with the younger sister (Kitsey) of his boyhood friend Andy. And the adult Theo reconnects with an even closer boyhood friend — the brilliant/volatile Boris.

People in the military can develop such strong bonds during the trauma of war that they still have deep ties when seeing each other again. That’s illustrated in Dorothy L. Sayers’ Gaudy Night when Lord Peter Wimsey meets Padgett, the head porter at a women’s college who had served under Wimsey during World War I. Immediately, the two are talking as if just two minutes rather than two decades had passed.

The Count of Monte Cristo villains who framed the innocent Edmond Dantes into a long prison term don’t want to meet him many years later. But the avenging Dantes — aka The Count in Alexandre Dumas’ novel — is quite eager to “renew acquaintances.”

Also not happy is the reunion of the adult Bela with the mother (Gauri) who abandoned her as a girl years earlier in Jhumpa Lahiri’s The Lowland. Forgiveness is not always forthcoming, or possible.

Sometimes, it takes more than one book to effect a reunion — as is the case when the time-traveling Sam Fowler is separated from the 19th-century woman he loves (Cait) when he involuntarily returns to the 20th-century in Darryl Brock’s If I Never Get Back. The sequel Two in the Field focuses on Sam’s efforts to return to the past to find Cait.

But Dana Franklin, the African-American protagonist of Octavia Butler’s Kindred, does not enjoy being yanked back in time to keep reuniting with her white, racist, slave-holding ancestor Rufus.

Another sci-fi-ish novel, Andy Weir’s The Martian, focuses on Mark Watney’s efforts to return to his crew after he’s stranded alone on Mars. It’s an emotionally powerful plot driver, as many want-to-reunite scenarios are.

Of course, there are potential meet-agains that don’t necessarily come off. In Edith Wharton’s The Age of Innocence, for instance, the circumstances seem ripe for the reunion of two characters who had once seemed to love each other. Widowhood has happened and they’re both in Paris, but…

Reunions don’t just apply to people. I defy anyone not to shed some tears when the cat and two dogs reunite with their humans after the animals’ lengthy/perilous wilderness trek homeward in Sheila Burnford’s The Incredible Journey. Or when dog and person meet again after years of war in L.M. Montgomery’s Rilla of Ingleside.

One final thought: A subtext of many fictional or real-life reunions is the poignant passage of time — something conveyed in this beautiful song.

What are some of your favorite literary works with reunion scenarios?

(The box for submitting comments is below already-posted comments, but your new comment will appear at the top of the comments area — unless you’re replying to someone else.)

I’m writing a literature-related book, but still selling Comic (and Column) Confessional — my often-funny memoir that recalls 25 years of covering and meeting cartoonists such as Charles Schulz (“Peanuts”) and Bill Watterson (“Calvin and Hobbes”), columnists such as Ann Landers and “Dear Abby,” and other notables such as Hillary Clinton, Coretta Scott King, Walter Cronkite, and various authors. The book also talks about the malpractice death of my first daughter, my remarriage, and life in Montclair, N.J. — where I write the award-winning weekly “Montclairvoyant” humor column for The Montclair Times. You can email me at dastor@earthlink.net to buy a discounted, inscribed copy of the book, which contains a preface by “Hints” columnist Heloise and back-cover blurbs by people such as “The Far Side” cartoonist Gary Larson.

Female-Focused Fiction

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Compared to decades ago, today there is more fiction written by women and more literary works in which female characters significantly outnumber the male ones. Still, like almost everything else, much of literature unfortunately remains a majority-male world. So it’s especially nice when one stumbles on, or deliberately seeks out, fiction with a female focus.

And some of that literature isn’t very recent. I just read Dorothy L. Sayers’ interesting 1935 mystery Gaudy Night, which is set at a British women’s college and thus features many female students, alumnae, professors, and staffers. One of the alumnae is Harriet Vane, a well-known crime author who is asked by the college to investigate some weird goings-on in its hallowed halls.

Gaudy Night‘s frequent feminist elements are among the novel’s pleasures — which reminds me that female-dominated literature often strongly or subtly addresses women’s rights, patriarchy, sexism, mother-daughter relationships (good and bad), gender issues in the workplace, and more — usually to a greater extent than male-centric lit does.

And given that women often act differently when they’re around women rather than men, it’s interesting to see how that manifests itself in female-centric lit. (Men also often act differently when they’re around men rather than women, but that’s another story…)

Another school-set novel featuring many females is Muriel Spark’s The Prime of Miss Jean Brodie, in which the unconventional teacher of the book’s title is assigned six girl students who become known as “the Brodie set.”

Many other female-focused novels star sisters — whether it be two, three, four, or five of them. Among the most famous are Alice Walker’s The Color Purple, Louisa May Alcott’s Little Women, Barbara Kingsolver’s The Poisonwood Bible, and Jane Austen’s Pride and Prejudice. Those and other multi-daughter books often feature memorable mother characters, too. (By the way, Happy Mother’s Day!)

Friendships between women also play a large role in various female-focused novels — including Terry McMillan’s Waiting to Exhale, Toni Morrison’s Sula, and Margaret Atwood’s The Robber Bride. While those relationships are often positive and nurturing, there are obviously some marked by jealousy and worse. For instance, The Robber Bride spotlights the wonderful long-term friendship of three women, even as a fourth woman they all know makes life hell for the trio.

Of course, novels featuring characters who are lesbian (such as Rita Mae Brown’s Rubyfruit Jungle) or who are experimenting with lesbianism (such as Colette’s Claudine at School) usually have a strong female focus.

Then there’s Fried Green Tomatoes at the Whistle Stop Cafe, in which the friendship between co-workers Idgie Threadgoode and Ruth Jamison has a lesbian subtext that’s understated — partly because the characters are interacting in the pre-World War II American South. Fannie Flagg’s book also includes the wonderful cross-generational friendship between Evelyn Couch and Ninny Threadgoode, who meet in the novel’s 1980s present-day.

And women are the focus of many plays — including Wendy Wasserstein’s The Heidi Chronicles and Anton Chekhov’s Three Sisters, to name just two.

What are your favorite female-centric works of fiction?

(The box for submitting comments is below already-posted comments, but your new comment will appear at the top of the comments area — unless you’re replying to someone else.)

I’m writing a literature-related book, but still selling Comic (and Column) Confessional — my often-funny memoir that recalls 25 years of covering and meeting cartoonists such as Charles Schulz (“Peanuts”) and Bill Watterson (“Calvin and Hobbes”), columnists such as Ann Landers and “Dear Abby,” and other notables such as Hillary Clinton, Coretta Scott King, Walter Cronkite, and various authors. The book also talks about the malpractice death of my first daughter, my remarriage, and life in Montclair, N.J. — where I write the award-winning weekly “Montclairvoyant” humor column for The Montclair Times. You can email me at dastor@earthlink.net to buy a discounted, inscribed copy of the book, which contains a preface by “Hints” columnist Heloise and back-cover blurbs by people such as “The Far Side” cartoonist Gary Larson.