Sometimes opposites attract — for a little while, at least — and this is true in literature as well as real life. Today, I’m going to discuss relationships between “bad boys” and admirable women, and between not-so-admirable women and decent men.
Both variations can make for interesting reading. Is it just physical attraction? Are these people masochists? Does their very incompatibility make things (temporarily) exciting? Do those couples have ANYTHING in common? Will the relationship be fairly brief, before too much psychological (and/or physical) damage happens? Or will things go on for far too long? Was the liaison seemingly positive at first before one person started acting badly?
The idea for this post was suggested by “elisabethm,” who writes the excellent literature blog “A Russian Affair.” A recent post of hers mentioned “bad guy” Dolokhov and his marriage proposal to “good girl” Sonya in Leo Tolstoy’s War and Peace.
While on the subject of Russian literature, there is of course kind/moral Sonya and tortured soul Raskolnikov, a murderer with some redeeming qualities in Crime and Punishment. The conclusion of Fyodor Dostoyevsky’s novel is basically all about the positive impact Sonya has on Raskolnikov.
Other examples of good women who spent some time with not-good men include the wonderful Dorothea Brooke, who’s married to pompous/ineffectual/cold-fish scholar Edward Casaubon in George Eliot’s Middlemarch; the admirable Helen and her alcoholic husband Arthur of Anne Bronte’s The Tenant of Wildfell Hall, in which Helen bravely leaves her abusive spouse; the hardworking Gervaise and her starts-off-decent-but-grows-mean-and-lazy-after-getting-injured husband Coupeau of Emile Zola’s The Drinking Den; the independent-minded-but-deferential (for a while) Orleanna Price and her rotten-to-the-core missionary husband Nathan of Barbara Kingsolver’s The Poisonwood Bible; the clairvoyant Clara and the nasty but somewhat redeemable right-winger Esteban in Isabel Allende’s The House of the Spirits; Celeste and her violent rich banker husband Perry in Liane Moriarty’s Big Little Lies; and Ruth and her abusive spouse Frank in Fannie Flagg’s Fried Green Tomatoes at the Whistle Stop Cafe.
Then there are novels in which good guys find themselves in relationships with problematic women. Those include, among others, W. Somerset Maugham’s Of Human Bondage, in which the talented but lacking-in-confidence Philip Carey falls hard for the nasty, not-so-smart Mildred Rogers; and Jhumpa Lahiri’s The Lowland, in which the unlikable Gauri leaves her likable husband Subhash and also abandons her daughter Bela — who Subhash conscientiously raises.
A couple of notes: Obviously, many of the above characters are not all bad or all good. And there can of course be the bad-good dynamic in same-gender relationships, but this blog post is about female-male relationships.
What are your favorite works that fit this column’s topic?
My 2017 literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.
In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — which mixes my recent trip to France with local news — is here.