Last week, I listed my favorite novels published between 2010 and 2019. This week, I’ll go back a decade to rank my favorite novels with 2000-to-2009 releases. Don’t worry, there’ll be no list of 1990s fiction in next week’s post… 🙂

As was the case with my previous post, I’ll mention my favorite novels rather than necessarily the best ones. We all differ on what’s best, just as some people think Trump’s The Art of the Deal is the worst book of all time while others think it’s ABSOLUTELY the worst book of all time.

Here are my favorites (and I’ll ask for yours at the end of this post):

25. American Gods (2001), Neil Gaiman: Very original fantasy work about (surprise!) deities in the United States. Interesting, quite varied deities.

24. March (2007), Geraldine Brooks: Intense novel about the harrowing Civil War experiences of the father in Louisa May Alcott’s classic Little Women.

23. Still Alice (2007), Lisa Genova: Heartbreaking story of a Harvard professor’s descent into early-onset Alzheimer’s. Skillfully told from Alice’s point of view.

22. The Time Traveler’s Wife (2003), Audrey Niffenegger: Quirky, moving novel about time travel (duh!) and how that effects a Chicago-based couple when only the guy is doing the (involuntary) traveling.

21. A Redbird Christmas (2004), Fannie Flagg: Touching tale of a dying (?) man who moves from wintry Chicago (that city again!) to a small town in Alabama.

20. Ellington Boulevard (2008), Adam Langer: A New York City-set comedic novel that says a lot about gentrification and more.

19. The Namesake (2003), Jhumpa Lahiri: The author gravitated from a Pulitzer Prize-winning story collection to novel-writing with this absorbing work about a Bengali immigrant couple and their Americanized son.

18. The Lovely Bones (2002), Alice Sebold: Haunting novel about a murdered girl (who remains “alive” in a kind of limbo), her grief-stricken family, and the frustrating search for the killer.

17. The Road (2006), Cormac McCarthy: Gripping post-apocalyptic novel from a prose master. A departure for McCarthy, who set a number of his previous novels in the past.

16. From a Buick 8 (2002), Stephen King: It “stars” a spooky automobile that’s a portal to another world, but the book is more subtle and moving than many of King’s novels.

15. The Brief Wondrous Life of Oscar Wao (2007), Junot Diaz: A novel — set in New Jersey and the Dominican Republic — that’s a potent mix of politics and pop culture. Amazing footnotes, too. (Yes, footnotes in a fiction book.)

14. Middlesex (2002), Jeffrey Eugenides: Ambitious novel that’s primarily about its gender-confused protagonist but is also an immigrant story.

13. The Amazing Adventures of Kavalier & Clay (2000), Michael Chabon: It’s about two cartoonists sort of based on Superman’s co-creators, but there’s a lot more sweep to the novel than that storyline implies.

12. The Kite Runner (2003), Khaled Hosseini: Very dramatic tale that takes readers from Afghanistan to the U.S. and back to Afghanistan — where a grisly Taliban encounter occurs.

11. Winter Solstice (2000), Rosamunde Pilcher: The final novel of any author’s long career rarely gets this good. Heartwarming story of a former London stage actress who moves to a small English village and what happens after that.

10. The Lacuna (2009), Barbara Kingsolver: A gay part-Mexican/part-American man works for iconic artists Frida Kahlo and Diego Rivera, is later victimized during the McCarthy era, and more.

9. Oryx and Crake (2003), Margaret Atwood: As clever as dystopian fiction can get. Funny and apocalyptically harrowing.

8. The Blind Assassin (2000), Margaret Atwood: Emotionally wrenching story of two sisters that includes a big surprise and a novel within a novel.

7. The 2000s decade’s many Jack Reacher novels by Lee Child, with my favorite being Bad Luck and Trouble (2007): In that can’t-stop-reading-it book, loner Jack reunites with his old team of elite military investigators.

6. The Corrections (2001), Jonathan Franzen: Compelling depiction of a dysfunctional family coupled with scathing social satire and excellent (if occasionally over-the-top) writing.

5. Prodigal Summer (2000), Barbara Kingsolver: Several seemingly separate storylines eventually converge in an extremely satisfying way.

4. The Millennium Trilogy — The Girl With the Dragon Tattoo (2005), The Girl Who Played With Fire (2006), and The Girl Who Kicked the Hornets’ Nest (2007), Stieg Larsson: An as-page-turning-as-it-gets chronicle of abuse, murder, corporate corruption, and more that co-stars a journalist and the brilliant/angry/highly original character of computer hacker Lisbeth Salander.

3. White Teeth (2000), Zadie Smith: A potent combination of laugh-out-loud hilarity, serious social commentary, and a memorable multicultural cast of characters in London.

2. Empire Falls (2001), Richard Russo: A pitch-perfect novel set in a small Maine town. The characters are unforgettable, and the action is low-key (but never boring) until things get VERY dramatic.

1. The fourth-through-seventh books of J.K. Rowling’s Harry Potter series — Harry Potter and the Goblet of Fire (2000), Harry Potter and the Order of the Phoenix (2003), Harry Potter and the Half-Blood Prince (2005), and Harry Potter and the Deathly Hallows (2007): The wildly popular series that deserved every iota of its popularity. As its readers know, the wizard-world books got longer and more complex in the 2000s but never became less than exciting, funny, and poignant.

Your favorite novels published between 2000 and 2009?

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — which discusses a heated Board of Education meeting (during which delayed teacher raises were criticized) and climate-strike protests in my town — is here.

As visitors to this blog know, I often write about novels that date back decades or centuries. But I also read some recent fiction, and thought I’d list my favorite novels published since 2010 — some literary, others mass-audience-oriented. Not necessarily the best novels of the past nine years (that’s so subjective anyway) but my personal favorites. Then I’ll ask for yours!

Here they are, in reverse order from my 12th to 1st picks:

12. Three Stations (2010), Martin Cruz Smith: The seventh of the mostly Russia-set Arkady Renko novels that started with 1981’s Gorky Park isn’t the best of the series, but it might be the most poignant. The book begins with the horrifying scenario of a baby stolen, after which investigator Renko investigates — with some important help.

11. Everybody’s Fool (2016), Richard Russo: This sequel isn’t as good as the 1993-published Nobody’s Fool, but is still pretty darn good. The funny, unambitious, not-so-healthy, basically good-hearted Sully is a great character creation.

10. The All-Girl Filling Station’s Last Reunion (2013), Fannie Flagg: The author once again finds the perfect balance between sentimentality and tough-minded storytelling in this tale that flashes back to women pilots of World War II.

9. Flight Behavior (2012), Barbara Kingsolver: A vivid combination of a cry against climate change and a chronicle of a brainy rural woman’s efforts to improve her life.

8. The Lowland (2013), Jhumpa Lahiri: The author skillfully mixes politics with dysfunctional but at times inspiring family dynamics. A revolutionary dies, his brother marries the deceased’s pregnant wife, that marriage takes an unusual turn, etc.

7. The Luminaries (2013), Eleanor Catton: A novel set during the 1860s New Zealand gold rush that’s a bit too long but impressive and innovative. Catton was only in her 20s when she wrote it!

6. Freedom (2010), Jonathan Franzen: An overhyped novel, but still a compelling and sweeping view of the U.S. via its well-drawn characters and its takes on marriage, war, the environment, and more.

5. 61 Hours (2010), Lee Child: I could name several of Child’s page-turning Jack Reacher novels from our current decade, but this one is my favorite. Roaming, justice-supporting loner Reacher travels to snowy South Dakota, and mayhem ensues.

4. Cormoran Strike series — The Cuckoo’s Calling and three subsequent novels (2013, 2014, 2015, 2018), J.K. Rowling writing as “Robert Galbraith”: Private sleuth Strike and his assistant-promoted-to-investigative-partner Robin Ellacott are VERY charismatic characters who bravely and smartly solve murders while dealing with complicated private lives and feelings for each other.

3. So Much for That (2010), Lionel Shriver: Her book is both a brilliant screed against the problematic U.S. health-care system and a story of several memorable characters — topped off with one of the best endings I’ve read in recent years.

2. The Goldfinch (2013), Donna Tartt: The current movie version didn’t get great reviews, but the long novel is riveting. After a museum explosion kills his mother and others, 13-year-old Theo Decker dazedly leaves with the famous painting “The Goldfinch” — and a fascinating life unfolds into his adult years. (The above photo shows Theo and his mom just before the explosion.)

1. Big Little Lies (2014), Liane Moriarty: This superbly written novel, which spawned the popular TV series, focuses on three unforgettable suburban women whose children attend the same Australian school — and the abusive bank executive married to one of the women. Dead serious, yet with plenty of humor.

Hmm…2010 and 2013 were especially nice years for novels I liked! 🙂 And while some people feel modern literature isn’t as appealing as various long-ago classics, there were some pretty darn good novels published during the past nine years. Your favorites from this decade?

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — which includes discussion of climate-strike protests in my town — is here.

While there are still a few months left in 2019, I thought I’d write a post about this year’s round-number anniversaries of some major novels I’ve read.

A number of significant works of fiction came out 50 years ago, in 1969, with one of the most prominent Kurt Vonnegut’s searing/darkly humorous anti-war novel Slaughterhouse-Five.

That half-century-ago year also saw the appearance of Margaret Atwood’s debut novel — The Edible Woman, a good-not-great book that kicked off Atwood’s amazing prose-fiction run that would include The Handmaid’s Tale; and the release of Daphne du Maurier’s gripping time-travel work The House on the Strand, the next-to-last novel of a long/distinguished career perhaps best known for Rebecca.

Atwood (pictured above during the 1960s) is of course still in the thick of the literary discussion in 2019 with the September 10 release of The Testaments, her blockbuster sequel to The Handmaid’s Tale.

Other memorable ’69 works included Philip Roth’s hilarious/scathing Portnoy’s Complaint, Ursula K. Le Guin’s classic sci-fi novel The Left Hand of Darkness, and Mario Puzo’s mass-audience smash The Godfather. There was also Maya Angelou’s iconic memoir I Know Why the Caged Bird Sings, which almost reads like a novel.

Going back a century, to 1919, readers were introduced to Sherwood Anderson’s Winesburg, Ohio — a pioneer in the mini-genre of novels consisting of interrelated short stories. Also released that year was one of W. Somerset Maugham’s best works — The Moon and Sixpence, about an intense stockbroker-turned-painter who was somewhat modeled on Paul Gauguin. And then there was Free Air, the last NOT-well-known novel Sinclair Lewis would write before going on an impressive run starting with Main Street in 1920.

The century-and-a-half-ago year of 1869 saw the publication of Leo Tolstoy’s immortal War and Peace as well as Fyodor Dostoevsky’s perhaps-third-best novel The Idiot. Honorable mention goes to Mark Twain’s hysterically funny nonfiction travel saga The Innocents Abroad — more entertaining than most novels.

Two centuries ago, in 1819? Not an extraordinary 12 months for novels when they were just starting to gain wider popularity as a genre, but that year did see the release of books such as Sir Walter Scott’s feverish The Bride of Lammermoor.

I’ll end by mentioning several 25th- and 75th-anniversary books.

Among 1994’s most notable releases were Julia Alvarez’s heartbreaking historical novel In the Time of the Butterflies, which tells the story of four sisters (three martyred) living under the brutal Dominican Republic dictatorship of Rafael Trujillo; and Louis de Bernières’ Captain Corelli’s Mandolin, an emotionally riveting work set on a Greek Island during World War II.

And 1944 saw the publication of another memorable WWII novel, John Hersey’s A Bell for Adano; the aforementioned Maugham’s last great creation, The Razor’s Edge, set soon after World War I; and Colette’s Gigi, that author’s most famous work but hardly her best.

Your thoughts on the books I discussed? Any other novels you’d like to mention from 1994, 1969, 1944, 1919, 1869, or 1819?

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — which comments on a county meeting that featured heated audience discussion about a controversial immigrant jail — is here.

As an adult who reads fiction, it’s interesting to occasionally encounter a novel in which the goings-on are viewed from a child character’s perspective.

That approach can bring readers’ memories back to their own younger years, and inspire analysis of whether the author successfully captured the kid perspective or instead created a character who sounds like a mini-adult.

Child narrators in fiction convey the process of learning about life, sound innocent or not so innocent, and don’t understand certain things or are precocious enough to understand more than might be expected. Also, some fictional kids THINK they don’t understand certain things but understand more than they realize — or might not grasp certain things yet telegraph that lack of grasp in a way that helps the readers to understand those things.

It’s not easy for adult novelists to narrate from a child’s perspective. The writers can’t be TOO knowing, and might have to navigate the difficult process of yanking themselves back to the mindset of their own childhood as fodder for taking a younger approach in a book. In fact, some novels told from a child’s perspective feature adult characters looking back and telling the stories from the vantage points of their kid selves.

When successfully created, child narrators can be memorable/poignant protagonists, can grab the sympathy of readers, and more.

Among the examples of this kind of novel is Jamaica Kincaid’s Annie John, which I read last week. It’s a coming-of-age story, set on Antigua in the Caribbean, starring a brainy girl who’s at first rather innocent and then becomes more calculating and angry. From Annie’s perspective, we learn a lot about her, her friends and classmates, her love-hate relationship with her parents, and Antiguan life in general.

One of the most famous novels featuring a kid’s-eye view is Harper Lee’s To Kill a Mockingbird. Scout Finch takes the reader through a journey that includes how she views her upstanding lawyer father Atticus and learning about the harsh realities of the world — most notably the virulent racism in 1930s Alabama. (Photo is of Scout and Atticus in the To Kill a Mockingbird movie.)

Some novels told from a child’s perspective take the young protagonists up to the start of adulthood or even well into adulthood, but have many early chapters chronicling the kid years. That’s certainly the case with Ms. Kincaid’s book (which ends with Annie leaving Antigua for a job in England at age 17) and with the stars of the English novels David Copperfield and Jane Eyre.

Charles Dickens’ semi-autobiographical classic chronicles David Copperfield’s mixed bag of a childhood, his school experiences, and eventually his two marriages — with many vivid supporting players (including Mr. Micawber) along the way.

Jane Eyre’s child perspective in the early chapters of Charlotte Brontë’s novel is fascinating as she recounts her difficulties living in the household of her cruel aunt and then her time in a harsh school for orphans. The young Jane is often unhappy, yet displays plenty of mental strength and a kind of fierce confidence that helps her as she grows from girl to woman.

There are also novels that unfold via a third-person/omniscient/adult narrator yet feature child or teen protagonists so memorable that it almost seems like the books are told from their perspectives. L.M. Montgomery’s Anne of Green Gables and James Baldwin’s Go Tell it on the Mountain are among the notable examples.

Your favorite novels told from a child’s point of view?

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — about back to school and more — is here.

Last week’s post focused on characters who miss each other. This week, the focus will be on those who HATE each other.

The hate might be full-blown or have some nuance, be mutual or mostly one-sided, be never-ending or come and go. It can feature jealousy, fury over harm done, or other elements. But it’s almost always visceral, and visceral can make for riveting reading.

There’s of course plenty of hate in the good vs. evil world of J.K. Rowling’s Harry Potter series — with the prime example being Harry vs. Voldemort. This is a case where Voldemort is guilty of starting all the hate, forcing Harry to respond.

In the non-wizard realm, there’s much venom from the manipulative Zenia — who makes life hellish for three women (Tony, Charis, and Roz) who thought Zenia was their friend in Margaret Atwood’s The Robber Bride. The trio eventually react to her hate with their own disdain.

Among the cast of Zadie Smith’s On Beauty are two professors — Howard Belsey and Monty Kipps. Howard dislikes the more successful Monty from a place of professional jealousy, and things get thoroughly unpleasant.

Hate can obviously lead to some justified revenge. In the 19th-century back story of Louis Sachar’s young-adult novel Holes, for instance, white teacher Kate and African-American onion seller Sam fall in love, and local racists subsequently murder Sam. The furious Kate kills one of those involved in the murder (a white sheriff), and becomes a justice-dispensing outlaw.

Speaking of rotten law-enforcement people, the title character in Stephen King’s Rose Madder understandably hates and fears her abusive police-officer husband Norman. After Rose escapes the marriage, a magical painting she discovers helps her after Norman finds and tries to kill Rose.

And speaking of domestic abuse, Celeste loathes and fears her violent rich banker husband Perry — who puts on a good front to the rest of the world — in Liane Moriarty’s Big Little Lies. (The two characters are pictured above this post in the HBO version of the novel.)

And speaking of stone-cold racist characters hated by those whose lives he has made miserable, there’s Bob Ewell in Harper Lee’s To Kill a Mockingbird.

Upton Sinclair’s The Jungle features the beleaguered working-class couple Jurgis and Ona Rutkus, who have many reasons to hate Ona’s factory boss Phil Connor. Connor, like other employers in the novel, treats his laborers horribly — and is also sexually abusing Ona.

Sibling dislike can be intense, and there’s plenty of that between half-brothers Hank and the more intellectual/physically weaker Leland in Ken Kesey’s Sometimes a Great Notion. Things come to a head when Leland returns to Oregon after years on the East Coast.

There’s also a more intellectual/physically weaker motif in Jack London’s The Sea-Wolf, in which muscled brute Captain Wolf Larsen picks up the brainy/”soft” Humphrey van Weyden from a sinking ferry and forces him to stay on his ship. Things do become more equal as Humphrey gains strength and courage, and the strong dislike between him and Wolf is a key driver of the book’s climax.

Your favorite novels with characters who hate each other?

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — about a ghoulish Republican plan for a pro-gun mural to counter an anti-gun-violence mural in my town 😦 — is here.