These Fictional Works Should Come With a Medical Thermometer

Some novels and short stories deserve an “F”…for “feverish.”

Yes, those works are so intense that the “F” word seems totally appropriate, even if the characters’ body temperatures remain at 98.6. The fear they might face is palpable, death might be lurking around the corner, their words and feelings might be anguished or impassioned, the march to the conclusion might leave you breathless, etc.

I read one such novel last week: Fyodor Dostoyevsky’s compelling The Insulted and Injured, which is filled with fervent, vehement thoughts and conversations from Vanya, Natasha, and others as they navigate tumultuous relationships and more. Heck, the book’s characters act so feverishly that several of them literally get sick from all their emotional turmoil. (A scene from the novel is pictured above.)

Of course, the much-better-known Crime and Punishment and its Raskolnikov protagonist are so intense that readers might feel like dropping that amazing Dostoyevsky novel like a hot frying pan. Plus first-time C&P readers have a fierce curiosity about whether Raskolnikov’s double murder will be discovered, what the penalty would be, and whether Raskolnikov and Sonya will end up together.

The sheer physical and/or psychological violence of some novels — and wondering who might survive — can certainly dial up the fever meter. Examples include Suzanne Collins’ The Hunger Games trilogy, Stieg Larsson’s Millennium Trilogy (The Girl With the Dragon Tattoo, etc.), Cormac McCarthy’s Blood Meridian and No Country for Old Men, Stephen King’s Misery, and Frank Bill’s Donnybrook, to name a few.

Oh, and virtually all of the Jack Reacher novels conclude with almost unbearably suspenseful chapters as Lee Child’s roaming protagonist tries to mete out justice.

Then there are riveting revenge novels, such as Alexandre Dumas’ The Count of Monte Cristo.

And novels that deal intensely with social issues — like Margaret Atwood’s The Handmaid’s Tale, Richard Wright’s Native Son, and Octavia Butler’s Kindred.

And dystopian novels — such as Butler’s Parable of the Sower, George Orwell’s Nineteen Eighty-Four, Ray Bradbury’s Fahrenheit 451, and Albert Camus’ The Plague. (The Handmaid’s Tale fits this category, too.)

And novels claustrophobically set in close quarters, like the ship in Martin Cruz Smith’s memorable Gorky Park sequel Polar Star.

And novels that are ultra-intense romantically — as in Emily Bronte’s Wuthering Heights, Charlotte Bronte’s Jane Eyre, George Eliot’s Daniel Deronda, and Emile Zola’s The Beast in Man.

Also, short stories can obviously pack a lot of feverishness into their relatively small number of pages. Examples of these works include — among many others — Atwood’s “Stone Mattress,” Shirley Jackson’s “The Lottery,” Charlotte Perkins Gilman’s “The Yellow Wallpaper,” Kate Chopin’s “The Story of an Hour,” Leo Tolstoy’s “The Kreutzer Sonata,” Herman Melville’s “Benito Cereno,” Richard Connell’s “The Most Dangerous Game,” Jack London’s “To Build a Fire,” Ambrose Bierce’s “An Occurrence at Owl Creek Bridge,” Jorge Luis Borges’ “The Aleph,” and many Edgar Allan Poe creations — such as “The Tell-Tale Heart,” “The Cask of Amontillado,” and “The Pit and the Pendulum.”

Which novels and short stories have been the most intense for you?

My 2017 literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — a goofy look at how to reach a school’s upper floors without stairs or an elevator — is here.

When the ‘Good’ Are the Bad, It Can Get Ugly

As the Brett Kavanaugh drama unfolded this month, I thought about fictional characters who seem admirable on the surface yet are in reality bad people.

Kavanaugh, of course, is Donald Trump’s nominee for the U.S. Supreme Court. I never felt Kavanaugh was a good guy — he’s an ideologue with nasty, ultra-conservative views on women, the poor, civil rights, guns, the environment, and more. But to at least some people, he seemed like a decent and friendly “family man.” That persona was blown to bits when Dr. Christine Blasey Ford credibly accused him of having sexually assaulted her several decades ago. To me, there was no motive for Dr. Blasey Ford to lie — she knew she would be deluged with hate mail, social-media abuse, death threats, and other horrors from right-wing Republicans. The only coming-forward upside for Dr. Blasey Ford (shown with Kavanaugh in separate photos above) was to tell the truth.

So…some quasi-equivalents of Kavanaugh in literature:

The first character who came to mind was Perry in Liane Moriarty’s fantastic Big Little Lies. In the eyes of society, he’s a charming and respected banker. Under the surface, he has a sordid past and present that includes ugly violence against his wife Celeste and other women.

Then there’s Willie Stark, the Huey Long-like politician in All the King’s Men. He’s charismatic, and seems idealistic and populist. In reality — a reality that grows stronger as Robert Penn Warren’s famous novel goes on — Stark is a corrupt hypocrite.

Another complicated politician is Hamm Sparks of Fannie Flagg’s engaging Standing in the Rainbow. He’s hardworking — raising himself up from poverty — and appears to be admirable in other ways as well. Popular with the electorate, too. But Hamm eventually reveals himself to be too slick, very right wing, and an adulterer (cheating on his shy wife Betty Raye).

In Andre Dubus III’s compelling House of Sand and Fog, the married Lester Burdon is an apparently upstanding law-enforcement guy until he becomes enamored with Kathy Nicolo and starts doing rash and illegal things to try to help her regain the home that’s subject to an epic ownership dispute.

The most recent novel I finished — Susan Moore Jordan’s absorbing mystery The Case of the Slain Soprano — turns out to have a murderer who was thought to be the nicest of guys. An excellent actor, I guess.

Oh…and there’s a complicated version of good but not actually good in J.K. Rowling’s iconic Harry Potter series when the admirable Alastor “Mad-Eye” Moody seems to turn bad. But that’s because he was kidnapped and impersonated by another character, Barty Crouch Jr.

I’ll conclude by mentioning Robert Louis Stevenson’s classic Strange Case of Dr. Jekyll and Mr. Hyde

Which fictional characters fitting this topic do you most remember? And any thoughts on the Kavanaugh situation?

My 2017 literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — about a school stairway collapse in my town — is here.

‘A Game of Thrones’ vs. ‘The Lord of the Rings’

It took me a long time to get to it, but I finally read A Game of Thrones after commenters here recommended it.

The first volume of George R.R. Martin’s “A Song of Ice and Fire” epic fantasy series clocks in at nearly 700 large-size, small-print pages. I almost abandoned the novel after a few chapters, because the author kept jumping to so many different characters that it was hard to get absorbed. But I finally did, and found the book really compelling from then on.

Rather than write a straightforward review of A Game of Thrones — which, along with its sequels, inspired the hit TV series — I thought I’d compare it to the other epic fantasy tour de force read by many people (like me) who usually don’t read fantasy. I’m of course referring to J.R.R. Tolkien’s trilogy The Lord of the Rings, and its prequel The Hobbit.

Overall, Tolkien’s wonderful classic is more of a page-turner — the storytelling is mostly linear, and the quest to destroy that titular ring is riveting. Martin’s most noticeable plot line — various families striving for power — is also exciting but a bit more diffuse. Yet A Game of Thrones (I haven’t read the sequels) surpasses The Lord of the Rings in certain ways.

Both epics have great writing, memorable characters, and excellent humor (though Tolkien is somewhat funnier — at least in The Hobbit). Each also features all kinds of death and war, but Martin’s depiction of violence is much more graphic and realistic. Perhaps partly a product of our current time.

Martin expertly juggles a somewhat larger cast of principal players, and, to his credit, has far more female protagonists in major roles. That might also be partly a product of a later era, but, heck, plenty of novels in Tolkien’s heyday had prominent female characters.

Perhaps most importantly, Martin’s characters are more three-dimensional than the vast majority of those in Tolkien’s cast. Few of the Game of Thrones denizens are all good or all bad — and that kind of moral ambiguity makes things very interesting.

Another interesting difference between the Martin and Tolkien works is that A Game of Thrones is mostly populated by humans, while The Lord of the Rings features a variety of bipeds: humans, hobbits, wizards, elves, orcs, etc.

Also, both series are set in long-ago, pre-modern-technology times. Martin does a better job of depicting the squalor and difficulties of living in such an era; things are more sanitized in The Lord of the Rings.

Will I read more of “A Song of Ice and Fire”? Not sure. A Game of Thrones was a large investment of time (about two weeks), and I’m not a fantasy buff. But I might. The novel ended on a very intriguing note, and I’m curious about what will happen to such characters as Daenerys Targaryen, the timid teen girl who turns into a ruthless dynamo; Arya Stark, the resourceful “tomboy”; Jon Snow, the outcast “bastard” son who makes something of his life; Joffrey Baratheon, the appalling young prince-turned-king; and Tyrion Lannister, the witty/crafty dwarf with perhaps the biggest personality in the book. (Tyrion, as played by Peter Dinklage in the HBO series, is pictured above.)

If you’ve read them, any thoughts on George R.R. Martin’s and J.R.R. Tolkien’s famous creations? (For those counting, that’s four “R” initials you just saw. 🙂 ) What other fantasy works have you enjoyed?

My 2017 literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — about climate change, a Board of Education resignation, and a school stairway collapse — is here.

Germane to McCain: Fictional Characters We Have Mixed Feelings About

Many people have mixed feelings about America’s late Republican senator John McCain, who died August 25. On the plus side, he displayed incredible bravery as a prisoner of war, occasionally bucked his party’s far-right orthodoxy, despised Donald Trump, etc. On the minus side, he supported U.S. military overreach, opposed the national holiday for civil-rights icon Dr. Martin Luther King Jr., backed 2017’s Republican tax legislation for the rich, and so on.

All of which can lead a literature lover to think about characters we have mixed feelings about. Any of those protagonists can be good, bad, and in-between — and their complexity often makes them more interesting than characters who are mostly admirable or mostly not admirable. But their complexity can also be interpreted as inconsistency, which might make reading about them as frustrating as it is interesting. Meanwhile, it’s impressive when an author can skillfully depict a character who’s both likable and unlikable.

One of literature’s most masterfully depicted good/not-good protagonists is Gwendolen Grandcourt (nee Harleth) of George Eliot’s Daniel Deronda. She is spoiled, selfish, and makes some bad choices, but she’s also smart, capable of emotional growth, and a decent human being at her core. It’s mesmerizing to read the charged interactions between Gwendolen and the admirable Daniel (both pictured atop this blog post, from a screen adaptation of the novel).

There’s also Mr. Stevens, the dignified/hardworking butler in Kazuo Ishiguro’s subtle novel The Remains of the Day. He’s stoic, but too stoic. He’s loyal, yet the loyalty is to his Nazi sympathizer/appeaser employer (Lord Darlington). And Stevens is reflective, yet doesn’t think things through enough at the right time to accept the possibility of a romance with a woman (the housekeeper Ms. Kenton) who’s clearly interested in him.

The title character of Toni Morrison’s Sula is adventurous and fiercely independent — especially impressive traits for a woman of her era and an African-American woman of her era (between the two world wars). But she also has a negative side, including betraying her best friend Nel by having an affair with Nel’s husband.

How about Chuck Mumpson of Alison Lurie’s Foreign Affairs? He’s crude and loud, smokes and drinks too much, and is clearly no intellectual. But he is curious and has a good heart, and the novel’s professor protagonist Virginia Miner develops a strong regard for him after they meet on a trip.

Then there’s Lisbeth Salander of Stieg Larsson’s riveting Millennium Trilogy (The Girl With the Dragon Tattoo, etc.). She’s angry, unfriendly, and has poor social skills. She’s also brilliant, brave, and loyal — and, given her history of being abused, one can totally understand why there are some negative aspects to her personality.

Last but not least, I’ll mention Severus Snape of J.K. Rowling’s wonderful Harry Potter novels. As many of you know, he comes off as unsympathetic and mean (especially to Harry) during much of the series. But as readers wonder whether he’s an ally of the evil Voldemort or a double agent, positives emerge as well.

I’ve obviously just scratched the surface here. Your favorite characters who you have mixed feelings about?

I won’t be posting a column next Sunday (September 9) because I’ll be in Florida again to deal with my late mother’s estate, but I’ll still reply to comments when I can. New column on September 16!

My 2017 literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — which has a start-of-school theme and some thoughts about John McCain similar to those expressed in today’s blog post — is here.