Last week’s post featuring author videos received a nice response, so I thought I’d do a second column spotlighting some other authors. As before, I made sure all the clips were short — and again started with living writers and concluded with deceased ones.

Fannie Flagg, whose warmly compelling novels include Fried Green Tomatoes at the Whistle Stop Cafe, discusses topics such as how she got her pen name:

Rita Mae Brown, who first rose to literary fame with her great lesbian-themed classic Rubyfruit Jungle, talks about her mystery series co-starring human and animal detectives:

Terry McMillan focuses on how she writes her novels (Waiting to Exhale, etc.) and the unhealthiness of staying angry:

Khaled Hosseini, author of books such as The Kite Runner, recalls his transition from physician to novelist and discusses how refugees make the U.S. a better place. Hosseini himself was a refugee, from Afghanistan:

Kazuo Ishiguro, the Nobel Prize-winning writer of novels such as The Remains of the Day, talks about how restrictive it is for authors to be pigeon-holed by genre:

Walter Mosley — author of the Easy Rawlins mysteries and more — discusses reading as a kid, classic writers, and the often solitary/unglamorous life of authors:

Moving on to authors who are no longer with us…

Brief footage of Harper Lee, before she became very reclusive, at the 1962 premiere of the great movie based on her even greater novel To Kill a Mockingbird:

Iconic science-fiction writer Octavia E. Butler (Kindred, The Parable of the Sower, etc.) discusses how watching a bad movie inspired her to start writing, how the future is not always easily predictable, and more:

https://www.youtube.com/watch?v=IgeyVE3NHJM

W. Somerset Maugham, who penned Of Human Bondage and other classics, answers several questions during a 1950 shipboard interview — including one about the impossibility of writing “the perfect novel”:

Ray Bradbury is quite engaging as he references The Martian Chronicles and more. He even reads a poem! (Thanks to Brian Bess for alerting me to this clip.)

Sue Grafton, author of the “Alphabet Mysteries” series, hilariously riffs about murderous thoughts:

Nigerian-born author Buchi Emecheta discusses living in England, her novel Second Class Citizen, and juggling parenthood and writing. (She’s in the screen shot atop this blog post, on the left.)

H.G. Wells — one of the most famous sci-fi authors to put words to paper (The Time Machine, etc.), discusses economics in his distinctive high-pitched voice:

Brief footage of Doctor Zhivago author Boris Pasternak:

Any author videos you’d like to mention?

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest piece — a comedic look at what families might do during a pandemic summer with many pools and camps closed — is here.

Avid fiction readers aren’t seeing any authors live during the pandemic, but we can watch clips of them on YouTube. Here are some short videos, with the first group featuring some great living writers followed by several clips showing famous novelists who are no longer with us. Most speak as skillfully as they write, though you can’t tell in the silent, pre-1910 footage of Mark Twain and Leo Tolstoy that ends this post.

(Above is a screen shot I took from a 2017 interview given by the then-102-year-old Herman Wouk of The Caine Mutiny, Marjorie Morningstar, The Winds of War, and War and Remembrance fame. Video can be seen a few paragraphs down.)

This first video stars the fabulous author Liane Moriarty discussing her 2018 Nine Perfect Strangers book, the mega-success of her 2014 Big Little Lies novel that spawned a hit TV series, etc.

Alice Walker (The Color Purple) eloquently talks about Zora Neale Hurston and Hurston’s writing — the most famous example being the novel Their Eyes Were Watching God.

Isabel Allende on how her debut-novel masterpiece The House of the Spirits happened, the number of hours a day she spends writing, and more.

Zadie Smith, known for vivid/often-hilarious multicultural novels such as White Teeth, speaks about why there aren’t more published authors with working-class backgrounds.

Margaret Atwood (author of the iconic The Handmaid’s Tale and many other works) discusses feminism in this frequently funny 1997 clip.

Lee Child, author of the riveting Jack Reacher series, talks about why it’s good to wait until one is older to start writing novels.

Donna Tartt talks about her writing process, her sweeping Pulitzer Prize-winning novel The Goldfinch, and more.

Stephen King, interviewed by George R.R. Martin of Game of Thrones fame, answers a question about how he’s able to write so much — and also mentions Harry Potter author J.K. Rowling.

Historical-fiction author Kate Quinn discusses The Huntress, about a woman who marries an American who doesn’t know about her Nazi-war-criminal past. Among Quinn’s other compelling novels is The Alice Network.

Moving to deceased writers, this video shows James Baldwin (Go Tell It On the Mountain, etc.) dissecting the hyper-difficult black experience in America.

The aforementioned 2017 interview Herman Wouk gave at the age of 102!

J.R.R. Tolkien on his iconic The Lord of the Rings trilogy.

Lastly, film footage of Mark Twain a year before his death, alone and then with his daughters…

…and footage of Leo Tolstoy near the end of his life.

Author videos you’d recommend?

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest piece — about my town’s contested, unequally funded election — is here.

When it comes to depicting relationships, great novelists are not machines. That means the relationships — whether good, bad, unrequited, potential, etc. — are sometimes believable and sometimes not as much.

I thought about this while continuing my pandemic-time reading of Diana Gabaldon’s compelling 9,073-page Outlander series (I’m now on the fifth of eight books). The relationship between 20th-century doctor Claire Fraser and 18th-century Scotsman Jamie Fraser totally works. Equal partners, both smart, both charismatic, superb chemistry, lots of passion, flowing dialogue, plausible occasional fights. But the relationship between Claire/Jamie’s daughter Brianna and historian/musician Roger periodically feels kind of forced and clunky, partly because Roger is a rather annoying guy at times.

Lightning also doesn’t strike twice in two Charlotte Bronte novels. The relationship between Jane and Rochester in Jane Eyre is one of literature’s great love stories, even though the characters are quite different in certain ways. But the interaction between Lucy Snowe and the partly unlikable M. Paul Emanuel doesn’t light many sparks in Bronte’s Villette.

The interaction between Cormoran Strike and Robin Ellacott — co-workers who are a possible future couple after four of J.K. Rowling’s crime novels — is satisfying for readers. The characters share a knack for private investigating, have a mutual respect, both have difficult pasts, and there’s that aforementioned “c” word: chemistry. On the other hand, the eventual love relationship between Hermione Granger and Ron Weasley of Rowling’s Harry Potter series seems off. Hermione and Ron are very good friends and both very nice people, but Hermione is just so much smarter than Ron to make for an equal couple.

In Isabel Allende’s 1840s-set Daughter of Fortune, Eliza Sommers and Joaquin Andieta become enamored with each other, and there’s an intense young-love passion to their affair even as the depiction of it doesn’t click on all cylinders. But the novel’s later relationship between Eliza and Tao Chi’en feels right, even if it’s more a friendship because of the strictures of the time against interracial relationships. (Eliza is of Chilean and English descent; Tao of Chinese ancestry.)

Depicting romance in his fiction wasn’t Mark Twain’s thing, but, when he did, the results were mixed. The puppy love of the young Tom and Becky in The Adventures of Tom Sawyer comes off as very plausible, while the relationship between Hank and Sandy in Twain’s scathingly hilarious A Connecticut Yankee in King Arthur’s Court seems kind of cardboard and one-dimensional.

But the five terrific George Eliot novels I’ve read never disappoint in depicting romantic relationships with skill and psychological nuance — whether the relationships are happy, disastrous, or somewhere in between. For instance, Middlemarch masterfully dissects the depressing marriages of admirable Dorothea Brooke and sour Rev. Edward Casaubon, and idealistic Dr. Tertius Lydgate and shallow Rosamond Vincy; and Daniel Deronda includes the awful union of spoiled Gwendolen Harleth and sadistic Henleigh Grandcourt. Eliot also excels at happier relationships, such as those between Daniel Deronda and Mirah Lapidoth and, in Adam Bede, Adam and minister Dinah Morris.

Still, Eliot is rare in never faltering in the romantic-depiction realm. Heck, even a novelist as accomplished as Liane Moriarty in creating good and bad fictional relationships included the not-that-believable pairing of romance author Frances and oft-crude retired footballer Tony in her great novel Nine Perfect Strangers.

Any examples you’d like to offer of other novelists who did well and also not so well in depicting relationships?

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest piece — about my town’s unequally funded election — is here.

With libraries shuttered during the pandemic, fictional characters in those book-filled buildings are bored enough to be doing some interesting things the public is not seeing. I’m going to give you some examples, based on reports I received from private investigators Kinsey Millhone (of Sue Grafton’s “alphabet mysteries”) and Easy Rawlins (of the Walter Mosley novels that often have a color in their titles). In return for the inside info from those sleuths, I purchased their co-authored thriller D Is For Devil in a Blue Dress.

Anyway, in my town’s closed-since-mid-March library (pictured above), Jane Eyre steps out from between the covers of Charlotte Bronte’s novel and discovers a “madwoman” roaming the building’s top floor. Turns out to be the Harry Potter witch Bellatrix Lestrange, who zaps gentle Beth March of Little Women with her wand. Middlemarch‘s Dr. Lydgate treats Beth via a Zoom “telehealth” appointment so they can maintain social distancing. Ove from Fredrik Backman’s novel likes the social-distancing thing.

Meanwhile, Hester Prynne of The Scarlet Letter receives remote instruction from a local university on a library computer, and changes to an outfit embroidered with a “B” after not quite acing a test. Anna Karenina also has some difficulties when she throws herself under a toy train in the children’s-book section. But the characters in One Hundred Years of Solitude are pleased, figuring a few months of pandemic aloneness in the fiction section is better than a century of it.

Then Alice returns to the library’s shelves from her adventures in Wonderland and is asked if she’s “Still Alice” by the Howland family of Lisa Genova’s Alzheimer’s-themed novel. Kate Quinn’s young-woman protagonist Charlie St. Clair films it all for The Alice Network.

Don Quixote tilts at a rotating fan in the library director’s office. Huck Finn and Jim put their raft in the water, but can’t get far atop the drinking fountain next to the men’s room. Captain Ahab searches every floor for Moby-Dick, aka “The Great White Whale,” but only finds a large bottle of “Wite-Out” behind the checkout desk. (Queequeg harpoons it.)

Speaking of the checkout desk, miserly fictional dad Felix Grandet refuses to pay a fine after returning Eugenie Grandet several weeks late. “Old Goriot is a better Balzac book,” he huffs.

Sully from Nobody’s Fool decides to put his handyman skills to work by tightening a loose display case, but Flora and Miles of The Turn of the Screw push him away. “Henry James trained us to do that,” they say.

Former stockbroker Charles Strickland leaves the pages of The Moon and Sixpence to show off his Gauguin-like artistic prowess, but ends up only painting the bannisters between library floors. The Poisonwood Bible missionary Nathan Price tries to convert those drying bannisters to Christianity. Death Comes for the Archbishop when he inhales paint fumes.

On a happier note, Proust’s characters from In Search of Lost Time successfully find that newsweekly in the library’s magazine racks.

Dorothy of The Wonderful Wizard of Oz returns to the farm, only it’s a LEGO pasture in the aforementioned children’s section. Fortunately, she doesn’t join the cast of War and Peace — avoiding the need to repeatedly say “There’s no place like tome.”

As noted, fictional characters are feeling rather bored and unhappy with no people visiting the library. So when Lily Bart dubs the book-filled building The House of Mirth, she is shushed. Seems the ill-fated Lily can’t catch a break.

Would you like to add any scenarios of fictional characters acting out in empty libraries?

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest piece — about an educational war of words connected with my town’s upcoming election — is here.

My goal: to discuss dreams in fiction before I go to sleep tonight.

This topic is not my idea. I was reading Elisabeth van der Meer’s great “A Russian Affair” literature blog a week or so ago when she brought up a memorable dream sequence in Alexander Pushkin’s “novel in verse” Eugene Onegin (a work, serialized between 1825 and 1832, that I haven’t read). I commented under Elisabeth’s post, and she said dreams in fiction might perhaps be a good subject for me.

So, I decided it would be sort of a nightmare to ignore a fascinating topic like that. After all, dreams can reveal a lot about a character, can help drive a plot, can be very interesting in of themselves, and can give writers a chance to show off some impressive prose pyrotechnics.

Of course, dreams in novels may or may not be literal dreams (as in the character being asleep). They might be hallucinations, visions, fantasy sequences, etc.

Staying with Russian literature, there’s the famous scene in The Brothers Karamazov in which Ivan Karamazov meets the devil. Perhaps more an hallucination than a dream, what Fyodor Dostoyevsky conjured up is harrowing and hilarious.

Fictional works with ghostly visitations can certainly fit this topic, with the assumption that the visitations are dreamed or imagined — maybe. Charles Dickens’ A Christmas Carol, in which Ebenezer Scrooge encounters various ghosts, is one of literature’s most famous examples of this.

Dream or ghost? We wonder about that near the start of Emily Bronte’s Wuthering Heights when Mr. Lockwood stays in the room of the late Catherine and sees the child version of Catherine try to get in the window. Lockwood experiences this as a terrifying dream, while Heathcliff wonders if Mr. L has seen the actual ghost of his deceased love.

Also in the 19th century, we have Alice’s Adventures in Wonderland and Through the Looking-Glass, in which Alice might be dreaming or imagining various quirky characters and situations. Or perhaps it’s more a fantasy approach on the part of Lewis Carroll. (One of John Tenniel’s famous Alice illustrations is on top of this blog post.)

Moving to the 20th century, Hermann Hesse’s novel Steppenwolf ends with an eye-popping scene in “The Magic Theatre” — a place that seems both real and dream-like at the same time.

There are a number of visions in J.K. Rowling’s Harry Potter series, most notably when Harry’s mind involuntarily focuses on Lord Voldemort and that uber-villain’s thoughts.

One of modern literature’s most shocking uses of dreams — or imagined scenarios — is revealed at the controversial conclusion of (Ms.) Lionel Shriver’s novel Big Brother. To avoid any spoiler risks, I’ll leave it at that.

Some characters in time-travel novels do the time-traveling in a way that’s almost a dream. For instance, the protagonist of Daphne du Maurier’s The House on the Strand uses a powerful drug to transport himself from a 20th-century town to the same town in the 14th century. Is he sort of dreaming those experiences in the 1300s? And the protagonist in Jack Finney’s Time and Again goes from 20th- to 19th-century New York City via self-hypnosis, a dream state of sorts.

Novels you remember with elements of dreams, hallucinations, and such?

And now for a famous “Dreams” song:

My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.

In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest piece — about my town’s upcoming election and (alliteration alert!) somewhat-secretive schools superintendent search — is here.