
Whale sighting! (Photo by me.)
While vacationing in Massachusetts last week, my family and I visited Provincetown on August 1 to go whale-watching. We saw…whales…and I also saw the possibility of writing a blog post about an author who had a strong association with those mighty aquatic mammals.
That author of course is Herman Melville, who sailed the sea quite a bit as a young man before starting to write novels — some semi-autobiographical. He began as basically an adventure writer before getting much deeper with his fiction, even as his prose was rich yet readable from the start.
Oddly, Melville’s 1846 debut novel Typee — a partly fictional chronicle of his time in Polynesia — would be his best-selling work during his lifetime. It was followed by the pretty similar Omoo (1847) before Melville started to write in a more challenging way with Mardi. That 1849 novel had its moments, philosophical and otherwise, but overall was on the boring side.
Then came Redburn (also 1849) and White-Jacket (1850), two very good but not great sea sagas.

A ship in Provincetown. (Photo by me.)
The 1819-born Melville’s creative breakthrough was Moby-Dick (1851), about another epic sea voyage — this time loaded with symbolic/allegorical elements. That, along with the book’s scintillating writing and ultra-memorable characters, made for what is now considered one of the great American novels. But Moby-Dick sold poorly when published and was also unpopular with many critics — only becoming truly famous and appreciated decades after Melville’s 1891 death.
That was around the time of the posthumous 1924 publication of Melville’s final novel, the excellent Billy Budd.
At least Melville’s friend Nathaniel Hawthorne liked Moby-Dick, published a year after Hawthorne’s The Scarlet Letter — which received a much better contemporary response from readers and critics.
Melville’s bitterness over Moby-Dick‘s unenthusiastic reception was quite obvious in his 1852 novel Pierre, a land-set book (no ocean voyage) whose cast of characters includes…a bitter writer. That and the strong hints of incest in the story resulted in another sales and critical disaster for Melville, whose writing career mostly tanked at that point. Interestingly, many modern-day readers (including myself) find Pierre really compelling and way ahead of its time.
I haven’t read Melville’s novels Israel Potter (1855) or The Confidence Man (1857).
With proceeds from his writing scarce, a very unhappy Melville worked as a customs inspector in New York City from 1866 to 1885, while doing some (not exactly stellar) poetry on the side. In that inspector job, the author was known as a rare honest man in a corrupt institution.
I should also mention Melville’s 17 short stories. “I and My Chimney” is an example of how the writer was very funny when he wanted to be — as is also the case with his inn bedroom scene featuring Ishmael and harpooner Queequeg in the early land-based section of Moby-Dick.
There’s also “Benito Cereno,” a riveting sea tale (of almost novella length) about a slave revolt. Melville was rare among 19th-century authors in portraying characters of color (including the above-mentioned Queequeg) somewhat three-dimensionally.
(Speaking of Moby-Dick characters, first mate Starbuck inspired the name of a certain coffee chain.)
Perhaps Melville’s most memorable short story is the mesmerizing “Bartleby, the Scrivener.” There are few tales like it.
As I’ve mentioned before, nearly 20 years ago I visited the Pittsfield, Mass., house where Melville lived from 1850 to 1863. The window above the desk on which the author finished writing Moby-Dick has a view of a mountain that’s shaped sort of like a whale.
Any thoughts on this post, Herman Melville, and/or his writing?
My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Misty says Amazon reviews are welcome. π )

This 90-second promo video for my book features a talking cat: π
In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about an affordable-housing discussion and more — is here.













