Were Fictional Characters in Epstein’s Orbit, Too?

Jeffrey Epstein with Donald Trump. (Davidoff Studios Photography/Getty Images.)

After the welcome February 19 arrest of the former Prince Andrew over his tawdry and traitorous ties to the late Jeffrey Epstein, much can be said before I somehow turn this into a literature post:

— The monstrous Epstein was an abusive pedophile, sex trafficker of girls and young women, blackmailer, possible Russian and/or Israeli intelligence agent, etc.

— Major consequences for the elite (mainly rich white men) who were in Epstein’s orbit have mostly been meted out to those outside the United States.

— Nearly all the prominent Americans who were in that orbit have faced little more than some public scorn. A small number lost jobs or other positions, but none have faced Epstein-related criminal charges.

— Americans who were in Epstein’s orbit include President Trump (who has VERY suspiciously fought like hell to keep The Epstein Files secret); Trump cabinet members Howard Lutnick and Robert F. Kennedy Jr.; Trump strategist Steve Bannon; former President Bill Clinton; former Clinton cabinet member Lawrence Summers; tech billionaires Elon Musk, Peter Thiel, and Bill Gates; former Victoria’s Secret CEO Leslie Wexner; attorney Alan Dershowitz; filmmaker Woody Allen; intellectual Noam Chomsky; Giants football team co-owner Steve Tisch; and others.

All the debauchery and lack of accountability have not gone unnoticed by famous characters in literature, even if their thoughts on Epstein never quite made it into the novels they inhabit. For instance, fictional pedophile Humbert Humbert is perverted enough to hypothetically admire Epstein, even if Epstein was only two years old when Vladimir Nabokov’s Lolita got published in 1955. Perhaps HH was prescient in addition to deviant.

A Game of Thrones, the first novel in George R.R. Martin’s “A Song of Ice and Fire” series, includes 13-year-old Daenerys being forced to marry the adult warlord Drogo. Maybe she found some of her courage by anticipating the perseverance of Epstein survivors who continue to seek justice despite their attempts at that being blocked or ignored for decades — most recently by the Trump regime’s ghoulishly sycophantic attorney general Pam Bondi.

While thirsting for revenge against her sexual abuser, the resourceful Lisbeth Salander of Stieg Larsson’s The Girl with the Dragon Tattoo and its sequels might have theoretically considered also unleashing retribution on the depraved Epstein. At minimum, the computer-savvy Salander was capable of hacking into Epstein’s grotesque email conversations with various wealthy sickos.

While looking down from heaven in Alice Sebold’s The Lovely Bones, raped-then-murdered teen Susie Salmon could have also kept a disgusted eye on Epstein before he started looking up from hell after his 2019 death. (It has been said that Epstein committed suicide in prison, but many feel he was killed to prevent him from possibly spilling the beans on his fellow guilty elites.)

The female collaborators to the grossly misogynist men in Margaret Atwood’s The Handmaid’s Tale might wish they could contact Epstein collaborator Ghislaine Maxwell for extra collaboration advice, or even ask to join Maxwell in the cushy Texas jail the Trump regime transferred her to as a way to increase the chances of her not implicating former close Epstein pal Trump.

Finally, a reader could wonder if Jane Eyre, after becoming aware of Edward Rochester’s marital history, suspected Rochester of having Epstein ties despite the two men existing two centuries apart and one of them being fictional. Thankfully, British author Charlotte Bronte lived during Queen Victoria’s time rather than the former Prince Andrew’s time.

Comments on, or additions to, this rather fraught topic?

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‘A Game of Thrones’ vs. ‘The Lord of the Rings’

It took me a long time to get to it, but I finally read A Game of Thrones after commenters here recommended it.

The first volume of George R.R. Martin’s “A Song of Ice and Fire” epic fantasy series clocks in at nearly 700 large-size, small-print pages. I almost abandoned the novel after a few chapters, because the author kept jumping to so many different characters that it was hard to get absorbed. But I finally did, and found the book really compelling from then on.

Rather than write a straightforward review of A Game of Thrones — which, along with its sequels, inspired the hit TV series — I thought I’d compare it to the other epic fantasy tour de force read by many people (like me) who usually don’t read fantasy. I’m of course referring to J.R.R. Tolkien’s trilogy The Lord of the Rings, and its prequel The Hobbit.

Overall, Tolkien’s wonderful classic is more of a page-turner — the storytelling is mostly linear, and the quest to destroy that titular ring is riveting. Martin’s most noticeable plot line — various families striving for power — is also exciting but a bit more diffuse. Yet A Game of Thrones (I haven’t read the sequels) surpasses The Lord of the Rings in certain ways.

Both epics have great writing, memorable characters, and excellent humor (though Tolkien is somewhat funnier — at least in The Hobbit). Each also features all kinds of death and war, but Martin’s depiction of violence is much more graphic and realistic. Perhaps partly a product of our current time.

Martin expertly juggles a somewhat larger cast of principal players, and, to his credit, has far more female protagonists in major roles. That might also be partly a product of a later era, but, heck, plenty of novels in Tolkien’s heyday had prominent female characters.

Perhaps most importantly, Martin’s characters are more three-dimensional than the vast majority of those in Tolkien’s cast. Few of the Game of Thrones denizens are all good or all bad — and that kind of moral ambiguity makes things very interesting.

Another interesting difference between the Martin and Tolkien works is that A Game of Thrones is mostly populated by humans, while The Lord of the Rings features a variety of bipeds: humans, hobbits, wizards, elves, orcs, etc.

Also, both series are set in long-ago, pre-modern-technology times. Martin does a better job of depicting the squalor and difficulties of living in such an era; things are more sanitized in The Lord of the Rings.

Will I read more of “A Song of Ice and Fire”? Not sure. A Game of Thrones was a large investment of time (about two weeks), and I’m not a fantasy buff. But I might. The novel ended on a very intriguing note, and I’m curious about what will happen to such characters as Daenerys Targaryen, the timid teen girl who turns into a ruthless dynamo; Arya Stark, the resourceful “tomboy”; Jon Snow, the outcast “bastard” son who makes something of his life; Joffrey Baratheon, the appalling young prince-turned-king; and Tyrion Lannister, the witty/crafty dwarf with perhaps the biggest personality in the book. (Tyrion, as played by Peter Dinklage in the HBO series, is pictured above.)

If you’ve read them, any thoughts on George R.R. Martin’s and J.R.R. Tolkien’s famous creations? (For those counting, that’s four “R” initials you just saw. 🙂 ) What other fantasy works have you enjoyed?

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