The ever-popular category of crime fiction — which can include detective novels, mysteries, thrillers, etc. — has different categories of authors.
There are those writers — such as Raymond Chandler, Lee Child, Agatha Christie, Michael Connelly, Arthur Conan Doyle, Janet Evanovich, Sue Grafton, Dashiell Hammett, Patricia Highsmith, P.D. James, Walter Mosley, Louise Penny, Dorothy L. Sayers, and Lisa Scottoline — known mostly for their crime fiction, even as they occasionally roam/roamed outside that genre. Then there are authors known more for their non-crime-fiction work, even as they produce/produced some strong offerings in the detective/mystery/thriller realm. This blog post will be about the latter group — which includes people like Wilkie Collins, Charles Dickens, Edgar Allan Poe, J.K. Rowling, and Mark Twain.
I’ll first discuss Rowling, who, as “Robert Galbraith,” writes the series starring fascinating private investigator Cormoran Strike. I read the debut installment, The Cuckoo’s Calling, this week — and was bowled over by how smoothly Rowling moved into crime fiction after conquering the young-adult/magical-fiction world with her iconic Harry Potter series and then writing the compelling general-adult-fiction book The Casual Vacancy. Rowling will always be associated more with Harry Potter than anything else, but her versatility is off-the-charts.
Collins is best known for The Woman in White, an ultra-suspenseful mystery; and The Moonstone, an early example of detective fiction. But most of his novels were in the realm of general fiction.
Poe is of course almost synonymous with horror fiction, but he wrote several earlier-than-The Moonstone detective stories starring C. Auguste Dupin — the most famous of which were “The Murders in the Rue Morgue” and “The Purloined Letter.”
Twain’s late-career novel Pudd’nhead Wilson, with its important plot-solving element of fingerprint analysis, placed that author somewhat in the crime-solving genre. Two years later, Twain came out with Tom Sawyer, Detective — one of his lesser novels.
Dickens turned to the mystery genre with his last, unfinished book — The Mystery of Edwin Drood — after more than 30 years of penning more general literary works.
Obviously, authors who write crime fiction most of the time can really master that genre, but the potential drawback can be a certain sameness in some of their work. Those pros and cons can of course flip for writers who turn to crime fiction only occasionally.
Any thoughts on the two categories of crime-fiction authors discussed in this blog post? Your favorite works in each category?
(BTW, one reason Jim Grant took the name Lee Child was because that alias alphabetically placed his Jack Reacher novels in libraries and bookstores between the works of crime-fiction greats Raymond Chandler and Agatha Christie — just like Child ended up between Chandler and Christie in this blog post’s second paragraph.)
My 2017 literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.
In addition to this weekly blog, I write the award-winning “Montclairvoyant” topical-humor column for Baristanet.com. The latest weekly piece — about overdevelopment run amok in my town — is here.