Margaret Atwood photo by Liam Sharp.
How is a sequel to a novel different from the next installment of a series (such as the Harry Potter and Jack Reacher books) or another installment of a trilogy (like The Lord of the Rings)? One difference is that an author often waits at least a few years before producing a sequel, while usually writing unrelated books in between.
This post will mostly ignore series to focus on the sequel, which of course can be just as good or better than the first novel or not quite as good or even a dud.
I’m currently reading Viet Thanh Nguyen’s The Committed (2021) not long after having read his The Sympathizer (2015), and it’s another superbly crafted, political-minded, part-humorous look at the mind-boggling life of a half-Vietnamese/half-French man — now living in Paris after the Vietnam War. During the years between those equally excellent 2015 and 2021 novels, the author’s published output included unrelated works (that I haven’t read) such as The Refugees short-story collection, a children’s book, and two nonfiction books.
Margaret Atwood did the sequel thing when she wrote The Testaments (2019) as a long-time-in-coming follow to The Handmaid’s Tale (1985). The later book is not at the level of the earlier speculative-fiction classic about a brutally patriarchal society, but it’s quite good in its own right. During that lengthy Tale-to-Testaments time span, Atwood authored a number of other great novels — including Cat’s Eye, The Robber Bride, Alias Grace, The Blind Assassin, and Oryx and Crake, to name a few.
I’ll say something similar about John Steinbeck’s Cannery Row (1945) and its Sweet Thursday sequel (1954): first one excellent, the second a shade less so — with both socially observant and frequently funny. The highlight of Steinbeck’s post-Cannery/pre-Sweet work was of course East of Eden (1952).
Anne of Green Gables (1908) spawned many sequels through 1939, even as L.M. Montgomery wrote other memorable novels — such as The Blue Castle and the Emily trilogy — during those three decades. None of the Anne sequels match the Green Gables original, but all are well worth reading, with Anne’s House of Dreams and Rilla of Ingleside my favorites.
Jack Finney’s Time and Again (1970) is one of my very favorite time-travel novels, but its From Time to Time sequel (1995) is mostly a clunker. Finney did die in ’95, so he was probably not in the best of health when writing that follow-up book. Between ’70 and ’95, Finney authored several better works, though Time and Again remains his standout accomplishment.
Also in the time-travel realm, Darryl Brock’s baseball-themed If I Never Get Back (1990) is an ultra-page-turner, while the sequel Two in the Field (2002) is basically just okay.
Rabbit, Run (1960) was followed by a sequel every decade or so — amid plenty of other John Updike writing — but I wasn’t a fan of the original Rabbit and never read the subsequent installments.
I’ll end by noting that Fyodor Dostoevsky reportedly planned a sequel or two to his amazing The Brothers Karamazov (1880), but the author’s early-1881 death intervened. 😦
Any sequels you’d like to mention?
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In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column for Baristanet.com every Thursday. The latest piece — about the holiday season, shopping local, and more — is here.