
Tom Hanks and Audrey Tautou in The Da Vinci Code movie.
Do you like “wac”-ky books? By “wac”-ky, I mean novels with “wrongly accused characters.”
It’s a compelling “genre.” The drama and tension are intense as we see people punished and/or put in danger for something they didn’t do. That obviously offends our sense of fairness, and we feel lots of sympathy for protagonists in those dire straits — as well as curiosity about how they’re reacting. Also, we wonder if they’ll get out of their predicament, and, if so, how?
All this is certainly a major motif in Dan Brown’s page-turning The Da Vinci Code, in which Harvard symbologist Robert Langdon is falsely implicated in the murder of a curator at The Louvre. Langdon escapes that iconic Paris museum with the help of French cryptologist Sophie Neveu (the curator’s granddaughter), and various cliffhangers ensue as the in-peril pair try to solve a number of mind-bending clues that might lead them toโฆThe Holy Grail!
Caleb Carr’s The Angel of Darkness, a novel I read just before The Da Vinci Code this month, includes a character (criminal psychologist Dr. Laszlo Kreizler) who’s wrongly blamed for a suicide in the facility he runs for troubled young people. While this is not the main plot line of the riveting book, Dr. Kreizler’s placement on leave as the suicide is investigated gives him the time to join a group of other fascinating characters who are trying to catch a woman guilty of a kidnapping and various shocking murders.
A classic in the wrongful-accusation “genre” is Alexandre Dumas’ The Count of Monte Cristo, in which the innocent Edmond Dantes is framed for treason and jailed in the Chateau d’If island prison. That long incarceration sets in motion a series of events that has made that novel one of the great revenge tales ever written.
Sadly, minorities can too often be among the falsely accused. One of literature’s best-known examples of that is Tom Robinson, who is falsely charged with the rape of a white woman in Harper Lee’s To Kill a Mockingbird.
There is also a character wrongly accused of rape in Ian McEwan’s Atonement, with profound effects on three lives.
Several of Lee Child’s 27 Jack Reacher books (the last few co-authored by Andrew Child) see the roving title character get falsely accused of a crime soon after entering a new town. Sometimes local law-enforcement officials actually think Reacher is guilty, while other times they arrest him as a distraction to protect the real guilty parties — who tend to be powerful players. Of course, those law-enforcement officials and powerful players get more than they bargain for from the almost-superhuman Jack.
Novels you’ve read that fit this topic? Other thoughts?
My literary-trivia book is described and can be purchased here: Fascinating Facts About Famous Fiction Authors and the Greatest Novels of All Time.
In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column for Baristanet.com every Thursday. The latest piece — which includes an offbeat tribute to my town’s terrific teachers — is here.
Dave,
“To Kill a Mockingbird” came to mind off the bat. Then I read its inclusion in your article.
Would “Twelve Angry Men”, by Reginald Rose be an example?
The accused is found not guilty, although the guilty party is never found nor named in the story.
This brings to mind “In the Heat of the Night” by John Ball. Virgil Tibbs, a black man, is first arrested. However, he is soon exonerated, so there is no tension there.
Others accused are Sam & Harvey.
In the end Ralph is guilty.
Fab topic!
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Thank you, Resa! Great mentions!
I’ve seen the “In the Heat of the Night” movie and TV series, but never read the book. (Usually it’s the other way around for me. ๐ )
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I’m your opposite. In most cases. ๐
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That’s okay. ๐ Plus you’ve been in “the biz.” ๐
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Wow! #@tom hanks love this ๐๐โ
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Thank you, seif ali [sykw] musiwa!
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Guilty of not beeing guilty seems to me a very strong topic to think about, Dave, and I would like to reread several of the books you mentioned, above all “The Count of Monte Cristo” ! I would also like to add “Tess of the D’Urberville”, who was, according to me, also one of the victims. Many thanks:)
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Thank you, Martina! Glad you liked the post. ๐ And I appreciate the mention of “Tess of the DโUrbervilles”! Tess certainly deserved better in that Thomas Hardy novel.
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Long before these greats – a book for children What Katy Did At School was my
first wrongly accused. Only school kids, but away from home, immediate and vindictive punishment
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Thank you, Esther! There’s definitely a strong impact on a reader when she or he encounters a wrongfully accused situation for the first time in literature. The reaction can be pretty visceral.
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Hi Dave, of the books you mentioned, I have read The Count of Monte Christo and To Kill a Mockingbird. The book that jumped to mind was poor Aziz from A Passage to India.
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Thank you, Robbie! “A Passage to India” is a great mention! I finally read it a couple years ago, and am surprised I forgot to include it in the post. ๐
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It is the first book I thought of for this topic.
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I can see why! And it of course dealt with the dynamic of a person of color being falsely accused of doing something to a white person.
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Yes, it is a very famous book for that reason.
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And written so well by E.M. Forster!
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“A passage to India” and the fals accusations has really touched me a lot, Roberta!
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I’ve read some of the books mentioned, including the Da Vinci Code. I have to admit, I never considered the common aspect of falsely accused people. I find these stories to be engaging and I get drawn in quickly.
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Thank you, Dan! You’re right that a false-accusation theme can really draw readers in. We get interested, angry, and curious if/how the innocent person will escape the injustice heaped on them.
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The other place it’s used is in science fiction, usually with the alien or perhaps a mechanical creature is assumed to have committed a crime or be responsible for hurting someone. Those stories often end badly for the alien.
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Fascinating, Dan! I guess I haven’t read enough sci-fi to see that as a pattern, but it makes sense. “The Other” can definitely be the subject of false accusations.
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I’m not surprised to see the Count of Monte Cristo mentioned, as it’s perhaps one of the most famous examples of this. I actually just read another fabulous book under this category called “the Maid.” I won’t go into too much detail in case you want to read it (which I highly recommend, the main character is so wonderfully unique). But it’s definitely a great case of wrongly accused and it’s a pretty wild ride of a book.
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Thank you, M.B., for the recommendation of that Nita Prose novel! “The Maid” sounds VERY intriguing. And I agree that “The Count of Monte Cristo” might be THE wrongful-accusation classic.
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The Da Vinci Code had me hooked from the first page. The pace is fast and intense. Time is of the essence. Dan Brown’s writing style did not bother me as I was so engaged in all the historical details of subject and world. He must’ve had help with the depth of such research. His premise is preposterous yet believable.
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Thank you, Rosaliene! Yes, if a book has some elements done extremely well, it doesn’t have to have all elements done extremely well. It’s a rare novel that has absolutely everything: great prose, great plot, great premise, great settings, great characters, excitement, humor, poignancy, etc. “The Da Vinci Code” certainly had many of those elements. ๐
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I confess that novels with falsely accused characters give me some anguish. I like them better on second reading, especially if they ended in a positive way
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Thank you, Luisa! I agree — novels with falsely accused characters can cause readers a lot of anguish. Not a good feeling to see those fictional people go through hellish experiences. But, yes, if we know things will turn out okay, a second reading can be a lot less troubling. ๐
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Thank you very much for your kind reply. Dave ๐ท
Much appreciated
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You’re very welcome, Luisa! ๐
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I think, like that, apart from the books you’ve mentioned and the replies mention, most of the oens I’ve read, the character is guilty. There was a pot boiler I read many years ago, off the cheap coutner in Wollies of all places, I can’t remember the title of where at the last line, it turned out the narrator was guilty, having portested their innocnece the whole way, because they remembered how good it felt, killing this character. There’s Val Jean in Les Mis, who is technically guilty of nicking that bread but come onthese days he’d be cut the slack, which raises what you could be brutally imprisoned for in other times. There’s another book prob out of print now, called the Sound of the Weir where the narrator is guilty, not of committing the supposed murder, at the heart of the story, but ensuring the noose goes round her cousin’s neck simply because she’s jealous of her, when the husband has framed his own death by committing the murder, as the narrator discovers years later. Also Pin to See the Peepshow based on a real life case, where the heroine is guilty of having a lover, an abortion, writing letters to her lover saying she wished her husband was no more but is hung becayuse she happened to be standing there outside her house, when the lover turned up and as we say here, ‘wellied’ the hubby with a stone. So a very interesting post.
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Thank you, Shehanne! You’re absolutely right — there are many more cases where characters are actually guilty than cases where they are falsely accused, making the latter scenario especially stand out with its relative rarity.
I appreciate the various examples you offered. Yes, the guilty might claim they’re innocent; and, yes again, sometimes the crime is VERY minor and the punishment ridiculously over the top.
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Hi Dave, having just finished Rebecca by Daphne du Maurier,
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I realised that this is a book where the accused party is guilty. It is hard to decide to what extent circumstances exonerated him.
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One of Daphne du Maurier’s strengths as a writer is the complexity of her approach, leaving readers uncertain of exactly what to think of characters and their actions. Also very noticeable in “My Cousin Rachel.”
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Hi Dave, thanks for the recommendation. I really enjoyed this authorโs work and want to read more of it.
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You’re welcome, Robbie! And if you like time-travel novels, her “The House on the Strand” is pretty compelling, too.
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Great, that sounds interesting. I sometimes read sci-fi and I love HG Wells.
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“The House on the Strand” is definitely H.G. Wells quality. ๐ One of Daphne du Maurier’s later books, published in 1969.
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Since I’m two books into writing a mystery series (PESTICIDE [2022] and SONS AND BROTHERS [2023], I think about characters being falsely accused or, in my case, falsely suspected all the time! After all, what would mysteries be without red herrings?
Dave, thanks for reminding me about Caleb Carr, whom I haven’t read in a long time–I think I’ll try The Angel of Darkness.
Re: Dan Brown. I thought his INFERNO was very entertaining, not only exciting but thought-provoking.
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Thank you, Kim! So true that wrongful accusations are a big part of a number of mystery novels. Red herrings are indeed crucial to the genre.
As you might know, “The Angel of Darkness” is a sequel to “The Alienist.” I think it’s even better than the first book, which is saying something. ๐
Glad to hear you found another Dan Brown book to be very good!
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I read “The Alienist” a long time ago and enjoyed it, but I never realized there was a sequel, so now I’m looking forward to “Angel of Darkness” even more! Great tip.
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You’re in for a treat, Kim. ๐ Basically the same team of crime-fighting characters as in “The Alienist.” The sequel is a fairly long novel that didn’t feel that long because of how good it was.
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Two that popped to mind were Alias Grace, which someone has already mentioned, and Presumed Innocent by Scott Turow. I think I enjoyed the movie more than the book, actually. I remember the book as more depressing than interesting.
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Thank you, Audrey! Glad you mentioned “Alias Grace” again! I’ve never read or seen the movie version of “Presumed Innocent,” but interesting to hear that the film might be better than the book. A relatively rare occurrence. ๐
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In this case I saw the movie before I read the book. I’ve noticed that makes a difference to what I think of each.
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That makes total sense!
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Fascinating theme, Dave. I thought immediately of Margaret Atwood’s “Alias Grace,” wherein we’re never completely sure of her innocence or guilt!
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Thank you, Mary Jo! That’s an interesting mention! Yes, Grace’s guilt or innocence was kind of uncertain. At worst, she might have been an accomplice rather than the instigator of the crime.
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Atwood was especially adept in creating that uncertainty. I didn’t want her to be guilty, but there was an unpleasant doubt she was.
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Well said, Mary Jo. I agree!
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The Count of Monte Cristina is an excellent example. Several of the Nancy Drew books feature wrongfully incarcerated characters.
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Thank you, Maggie! Yes, “The Count of Monte Cristo” is almost the definition of this topic. ๐ And interesting to hear that about the Nancy Drew books! (I’ve only read one; “The Secret of the Old Clock.” Liked it!)
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Yes, that’s one of the best ones! If you can find the older books, (the covers are blue) from the 30’s/40’s, those are the best. The stories were changed in the more recent yellow ones.
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I agree — always best to read the original versions of books, even if some weren’t quite as “PC” as many modern readers would like.
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Yeah, they dumbed it down a little in the yellow backs, sometimes even changing the plotline completely.
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Not good.
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Yes, especially when the plot was changed in a way that ruined the story.
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Ugh.
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๐
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The first two that came to mind are not quite (or at all) novels, but not guilty tales nonetheless: Emile Zolaโs J’Accuse, which he risked his life writing, and saved Dreyfus’s, and, in a completely different vein, Much Ado About Nothing? ๐
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Thank you, Endless Weekend, for the mention of that famous, courageous essay by Emile Zola. It definitely put him at risk, and there is a theory that Zola’s 1902 death was a murder possibly connected to his public support of Dreyfus.
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Hmm, the only books that come to mind are those in which the guility are guilty of being guilty.
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LOL, Liz! ๐ As in, say, “Crime and Punishment” by Fyodor (“I Write Better Prose Than Dan Brown”) Dostoevsky? ๐
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Ha ha ha! Yes, that guy.
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๐
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For some reason, Liz’s comment reminded me that Richard Morgan from Morgan’s Run was also innocent of the crime he was incarcerated for.
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Terrific mention of a riveting Colleen McCullough novel, Robbie! Very glad you recommended that book a couple years ago.
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๐๐
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Thank you, Dave, for the shoutout. The Da Vinci Code was a great thriller, played brilliantly by Tom Hanks. The idea of being falsely accused is an underlying theme in many books, sometimes hidden within a larger issue. Why do we have a tendency to jump to conclusions and assume guilt before seeking out evidence of innocence? It seems to be a part of the human experience. I believe that books that feature the โfalsely accusedโ theme help us identify and recognize our personal biases, societal conditioning – our desire for quick resolution. I just read an amazing article about how books help us heal in times of hurt and sadness. I also think that books challenge us to be our best selves.
As Ernest Hemingway wrote in A Farewell to Arms: โThe world breaks everyone, and afterward, many are strong at the broken places.โ
I just came back from a blog break and am looking forward to catching up on our posts. It is good to be back home. Thank you again for a fabulous post.
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Thank you, Rebecca, and welcome back!!! “The Da Vinci Code” is indeed quite a thriller. While the writing can be so-so here and there, the plot line is absolutely brilliant and the suspense is…wow!
You made some great points about what wrongful accusations evoke and signify. There is of course an enormous difference between accidental wrongful accusations and deliberate ones with the intention to frame.
A terrific, inspirational Hemingway quote!
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It is great to be back. Looking forward to following this conversation.
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I’m looking forward to it, too. ๐
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Welcome back, Rebecca!
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We have missed you Rebecca x
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Thank you, Shey, for your heartwarming comments. Sending hugs and love across the pond.
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After all the hype about the book, I was surprised at how clunky the prose was.
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Yes, often clunky indeed, Liz. Hopefully the prose improved in Dan Brown’s later books. I remember the first “Harry Potter” book’s prose being unexceptional (though the premise and plotting were fantastic); it was wonderful to see J.K. Rowling’s writing go on to improve tremendously.
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I haven’t read any other Dan Brown books.
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I haven’t, either. Not sure I will. Maybe…
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I don’t plan to.
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Welcome back, Rebecca, you were missed!
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Hi Rebecca, welcome back. I thought of Lt Henry for this topic because he is falsely accused of treason after the great retreat. That situation, from which he escapes, greatly changes his life.
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Thank you to Rebecca Budd and Jacquie Biggar for recommending “The Da Vinci Code”!
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Did you like it? Have you read any of Brownโs other novels?
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I did like “The Da Vinci Code,” Endless Weekend, even though, as has been discussed, it wasn’t written exceptionally well. But Dan Brown sure knew how to keep readers interested with dangerous situations, cliffhangers, foreshadowing, etc. This is the first and only book of his I’ve read. How about you?
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I liked The Da Vinci Code after reading it back in the day so much that I did read his other 3 books (at the time) in reverse order (in which he wrote them). My impression was that he was โbuilding upโ to The Da Vinci Code if that makes sense. Digital Fortress made me wonder, given the way he introduces the concept of passwords as a novel concept, if people familiar with religious symbology felt the same way about the The Da Vinci Code?
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Interesting approach you took to reading those books! Even though Dan Brown was hardly a prose master in “The Da Vinci Code,” he certainly knew how to keep a reader glued to the page, including with the use of passwords and religious symbols. There was some appealing feminism in the novel as well.
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My kids gave me the (beautifully) illustrated version of the book one year for my birthday. There are great-quality photographs of every work of art and every architectural wonder Langdon visits in the book. As I had never seen most of them, and as the book was published in the early days of the Internet, I devoured the book in two days. I generally donโt read whodunnit books: I can never keep track of all the characters. But this one did have me riveted.
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Thank you, Patti! What a terrific gift! Sounds like a GREAT edition of that book, and I can imagine how appealing the photos were of all the amazing artwork and buildings visited in the book. And, yes, despite the at-times-somewhat-awkward writing, “The Da Vinci Code” was quite gripping!
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I admit, I was so caught up in the story, which as you know was a nail biter, I didnโt pay a lot of attention to the writing style. I have read several of his other books, always hoping to get dragged in like I did the first time, but was always a bit disappointed ๐ฌ
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I hear you, Patti. If the story is great, the writing doesn’t have to be as great. And, yes, some authors can’t match a riveting book with others quite as riveting.
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I’ve also read all of his books after reading The Da Vinci Code.
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Did you like them, Rosaliene?
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I did, Dave. He opened my vision to new ways of looking at historical events.
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Good to hear, Rosaliene! Sparking new ways to look at historical events is a great accomplishment for an author.
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Iโm curious: what were your impressions?
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