Lit With Wit That Might Side-Split

On March 8, I marked International Women’s Day with a post about memorable women characters in fiction. On March 15, I marked The Ides of March (when Julius Caesar was killed) with a post about memorable murders in fiction. So, what holiday can I mark today? I did an online search, and discovered that March 22 is National Goof Off Day! Meaning I could write a post about some of the funnier novels I’ve read.

But a search showed I wrote a post like that back in this blog’s first year: 2014. Hmm…guess I’ll rerun that piece today (many of you had yet to become readers here 12 years ago). Then, I’ll add some humorous or part-humorous novels I’ve read since 2014 — or read before that but forgot to mention in my previous Obama-era post.

Here’s the 2014 piece, with a new first paragraph and some other editing:

Some novels are quite funny, in a satirical or just plain silly way. They include books that range from mostly comedic to those that are serious and/or dramatic and/or poignant but contain one or more hilarious scenes — such as Ishmael and Queequeg, pre-ship voyage, in the inn bedroom in Herman Melville’s Moby-Dick.

For instance, there’s Charles Dickens’ laugh-out-loud first novel: The Posthumous Papers of the Pickwick Club, which features the fabulously funny Sam Weller. That book launched Dickens into a popularity stratosphere he never left — even as his increasingly ambitious novels were never quite that humorous again. Was Bleak House a jest-fest? Don’t think so.

Colette had a similar career arc, entering the novel-writing realm with the sidesplitting Claudine at School before moving on to weightier (yet still engaging) works. The title character in Colette’s late-career Gigi wouldn’t last a minute in a battle of witticisms with the rambunctious Claudine.

Speaking of first novels, the seriocomic Harry Potter and the Sorcerer’s Stone has more laughs per square page than any of the six subsequent novels in J.K. Rowling’s series.

Also hilarious is Philip Roth’s Portnoy’s Complaint, in which the “thing” that hits an incandescent bulb is not a light-dazzled moth.

Then there’s Jeeves in the Offing, or almost any other P.G. Wodehouse novel or story starring the brilliant British valet and his rather clueless “master” Bertie Wooster. Wodehouse could make a shopping list funny.

In a very different milieu, novels don’t get much more amusing (or ribald) than Erskine Caldwell’s Tobacco Road and God’s Little Acre. Delightful “southern humor” can also be found in Charles Portis’ Norwood and The Dog of the South, Rita Mae Brown’s Rubyfruit Jungle novel and Sneaky Pie Brown mysteries, and Fannie Flagg’s Fried Green Tomatoes at the Whistle Stop Cafe. Mixed with the laughs in those books are serious themes such as poverty, racism, sexism, and homophobia.

Academia can also be a great source of humor and satire, as evidenced by novels such as Zadie Smith’s On Beauty, Richard Russo’s Straight Man, and Adam Langer’s Ellington Boulevard.

Returning to older novels, we see Mark Twain mixing strong antiwar satire with goofy humor in A Connecticut Yankee in King Arthur’s Court, Henry Fielding even naming a character “Lady Booby” (for her personality) in his uproarious Joseph Andrews, and Miguel de Cervantes being much funnier than one expects in Don Quixote.

More hilarity? Valancy Stirling dramatically parts with her oppressively conventional mother and other relations in L.M. Montgomery’s moving/inspiring The Blue Castle, but the conversations the newly confident Valancy has with her family are as funny as the funniest sitcom.

Italo Calvino is very droll in his short-story-collection-as-novella Marcovaldo. John Steinbeck, so earnest in The Grapes of Wrath and East of Eden, will crack you up in Tortilla Flat, Cannery Row, and Sweet Thursday. And you don’t need an explanation from me about how dizzyingly comedic are Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass.

Now, as I write in 2026, here are some funny or part-funny (in certain cases darkly so) novels I’ve read since the above 2014 post — or read before that but didn’t mention back then. A number of those books of course have many serious moments, too. Alphabetical by author:

Margaret Atwood’s Oryx and Crake, Jane Austen’s Northanger Abbey, Fredrik Backman’s A Man Called Ove, Charles Bukowski’s Hollywood, Mikhail Bulgakov’s The Master and Margarita, Frances Burney’s Evelina, Charles Dickinson’s The Widows’ Adventure, Stanley Elkin’s The Rabbi of Lud, Helen Fielding’s Bridget Jones’s Diary, Jaroslav Hasek’s The Good Soldier Svejk, Joseph Heller’s Catch-22, Elin Hilderbrand’s The Hotel Nantucket, Jonas Jonasson’s The 100-Year-Old Man Who Climbed Out the Window and Disappeared, Bel Kaufman’s Up the Down Staircase, Steve Martin’s The Pleasure of My Company, Terry McMillan’s How Stella Got Her Groove Back, Viet Thanh Nguyen’s The Sympathizer, Terry Pratchett’s Small Gods, Maria Semple’s Where’d You Go, Bernadette, (Ms.) Lionel Shriver’s So Much for That, Zadie Smith’s White Teeth, Jonathan Swift’s Gulliver’s Travels, J.R.R. Tolkien’s The Hobbit, John Kennedy Toole’s A Confederacy of Dunces, Voltaire’s Candide, and Kurt Vonnegut’s Slaughterhouse-Five, to name a few.

And while Fyodor Dostoevsky’s The Brothers Karamazov is mostly dead serious, it does have one uproarious scene.

Novels you consider very funny — overall or in part?

Misty the cat says: “Odd that one of those cars looks like a dumpster.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about a close school budget vote, a delayed decision on a huge redevelopment project, a student anti-ICE march, and more; all threaded with a weird Tom Hanks movie theme 🙂 — is here.

Reimagination Actualization

Four years ago, I blogged about fiction that uses previous fiction as a jumping-off point — and perhaps reimagines well-known characters. This post is sort of a sequel to that post, taking a somewhat different angle and including several novels I’ve read since 2021.

In general, I’m not a huge fan of fiction that’s heavily inspired by a famous work; I’d rather writers be more original than that. Still, there have been some excellent novels that offer insights into the previous work and might be great in their own right.

My latest encounter with this reimagining phenomenon was Queen Macbeth, Val McDermid’s 2024 novella that takes a fascinating approach to characters in Shakespeare’s iconic Macbeth play. The book is excellent, giving Lady Macbeth a more positive (and more historically accurate) persona as a compelling plot unfolds in two different timelines.

McDermid’s book reminded me a bit of Margaret Atwood’s 2005 novella The Penelopiad (mentioned in my 2021 post) that gives Penelope a bigger and more feminist role than she had in Homer’s ancient Odyssey poem.

There’s also Demon Copperhead, Barbara Kingsolver’s 2022 tour de force that gives Charles Dickens’ 1850 classic David Copperfield a modern spin in America’s Appalachian region during the opioid epidemic.

Kristin Hannah’s gripping 2021 novel The Four Winds was obviously inspired by John Steinbeck’s The Grapes of Wrath (1939), but it’s still plenty original and differs in featuring a female protagonist. (The title character in Demon Copperhead is male.)

Zadie Smith has described the structure/focus of her novel On Beauty (2005) as an homage to E.M. Forster’s Howards End (1910).

In her also-published-in-2005 novel March, Geraldine Brooks takes the father from Louisa May Alcott’s 1868-released Little Women and gives him his own story.

I haven’t read it yet, but Percival Everett’s acclaimed James (2024) reimagines Mark Twain’s Adventures of Huckleberry Finn (1884) from the perspective of the escaped slave Jim.

In my 2021 post, I mentioned the 1966 novel Wide Sargasso Sea, in which Jean Rhys gives three-dimensionality to the “madwoman in the attic” of Charlotte Bronte’s novel Jane Eyre; Rhys’ creation is in effect a prequel to Bronte’s 1847 book. I also discussed the novel (by Gregory Maguire) and the play Wicked, which sympathetically portray the Wicked Witch from L. Frank Baum’s The Wonderful Wizard of Oz novel (1900) and The Wizard of Oz movie (1939).

Mentioned as well in that post were Isabel Allende’s 2005 novel Zorro, Jasper Fforde’s 2001 novel The Eyre Affair, and Seth Grahame-Smith’s 2009 Jane Austen parody Pride and Prejudice and Zombies — the last of which I haven’t felt the “Persuasion” to read.

Comments about, and examples of, this theme?

Misty the cat says: “My right turn has nothing to do with politics.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Misty says Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book

…and a 2012 memoir that focuses on cartooning and more.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about a badly maintained lower-income apartment building, a change in venue for a senior center, and more — is here.