Megan Follows as Anne Shirley in the 1985 Anne of Green Gables miniseries.
Among literature’s memorable people are female characters who can be described as plucky, gutsy, clever, driven, strong-willed, determined, ambitious, etc. This can be especially interesting with female characters in novels written long ago — or set long ago if written more recently. Because women back then had an especially challenging task navigating a society usually much more patriarchal than today’s (admittedly still patriarchal) world.
This came to mind as I continued my recent Daphne du Maurier reading binge with her 1954 novel Mary Anne – whose semi-fictionalized title character was an actual great-great grandmother (I think) of the author. Mary Anne Thompson (1776-1852) grew up in a low-income/dysfunctional family, but rose quite a bit in life (at least during her 20s and 30s) via smarts, charm, humor, quick-wittedness, hard work, ruthlessness, strategic behavior, opportunism, and the compromising of some morals. Being good-looking didn’t hurt, either, as she “used” various men to climb society’s ladder.
Mary Anne reminded me a bit of some other fictional “heroines” – one of them being social climber Undine Spragg in Edith Wharton’s The Custom of the Country (1913). Undine is meaner and generally less-appealing than Mary Anne, but they both share a fierce intelligence and relentless ambition.
Another self-empowered woman is the title character in Daniel Defoe’s 1722 novel Moll Flanders. The basically good-hearted Moll lives a very checkered life but is confident enough to act outside of societal norms: she’s a con artist, a thief, makes alliances with other women, has sex outside of marriage, etc.
Moving to the 19th century, we have William Thackeray’s Vanity Fair. That 1848 novel’s Becky Sharp is a brainy, funny, talented, conniving, manipulative, amoral young woman seeking a better “station” in life.
Returning to 20th-century literature, Zora Neale Hurston’s 1937 novel Their Eyes Were Watching God stars the admirable, energetic, resilient Janie Crawford — though she does do some backsliding here and there in terms of partly deferring to some problematic men. Janie does have the double challenge of being a woman in a patriarchal society and a Black woman in a racist society.
Isabel Allende’s 1998 novel Daughter of Fortune features the half-Chilean/half-English Eliza Sommers who boldly travels from Chile to Gold Rush-era California, disguising herself as a man for much of the trip. She also ignores the prejudices of the time by developing a close friendship with Chinese man Tao Chi’en.
In young-adult fiction (which of course can also be enjoyed by not-so-young adults), three characters immediately come to mind.
The cast of Louis Sachar’s also-1998-published Holes includes Katherine Barlow, who — in the novel’s 19th-century flashback scenes — becomes a vengeful outlaw named Kissin’ Kate Barlow after a tragic racist act I won’t specify to avoid more of a spoiler.
Preteen-then-teen Anne Shirley in L.M. Montgomery’s 1908 classic Anne of Green Gables is feisty, hilarious, imaginative, and precociously intelligent — though she “mellows” somewhat as an older character and parent in the later sequels.
Suzanne Collins’ The Hunger Games trilogy of 2008, 2009, and 2010 is set not in the past but rather in a future society that, while brutal, is not super-patriarchal. But courageous and rebellious (as well as compassionate) protagonist Katniss Everdeen is worth mentioning.
Your thoughts about, and examples of, this theme?
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Maggie Tulliver in George Eliot’s Mill on the Floss, obviously.
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Brave, smart, and likable girls and women appear in so many of the books I read that I feel overwhelmed when it comes to coming up with titles. I’ll mention one. I recently read ATMOSPHERE, by Taylor Jenkins Reid, which is about women training to be astronauts in the early 1980s. The heroine, Joan Goodwin, and her fellow trainees are as smart and brave as they come, and this is an exciting and moving book that I highly recommend. Harriet Vane, who appears in some of Dorothy L. Sayers’s Lord Peter Wimsey mysteries, is also an intelligent and courageous character and a favorite of mine.
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Such a fantastic list! When
I think of courageous women in literature, Lucia Mondella from Alessandro Manzoni’s “The Betrothed” (1827) immediately comes to mind. Although she is often considered a meek woman, her quiet moral resilience and unwavering determination to survive and defy a powerful and tyrannical nobleman make her incredibly strong-willed.
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I have always been drawn to strong, gutsy, female characters. One I would like to mention is Jo March from Little Women. She was determined to follow her dreams and not cave in to convention.
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Excellent post, as always! One of the best feisty female characters I’ve read lately is Louisa in My Friends by Fredrik Backman. She’s an aspiring artist who grew up in the foster care system.
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One of the reasons why Pride and Prejudice is considered one of the greatest novels of all time is that it has a Bennet daughter and mother than run the gambit of “female characters who can be described as plucky, gutsy, clever, driven, strong-willed, determined, ambitious, etc.”
My favorite line in literature is the last sentence of Chapter 1: The business of her life was to get her daughters married; its solace was visiting and news. Now that’s a great sentence!
Eric
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Am I still anonymous after all of these years?
Eric
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Nice to hear from you again, Eric! I still haven’t figured out why some comments end up under the Anonymous “name.”
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Thank you, Eric! Yes, “Pride and Prejudice” and other Jane Austen novels have some strong female characters (as well as some not as strong). And Austen definitely penned some very memorable lines.
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I’m currently reading Edna Ferber’s Giant. The female protagonist Leslie Lynnton is a very strong character questioning the status quo and questioning the treatment of the Mexican farmhands. I’m only a quarter finished
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Thank you, Kathy! I’ve heard of “Giant” (the novel and its movie version) but didn’t know much about it. Sounds like a great book!
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Ada and Ruby from Cold Mountain come to mind. Also Mattie from True Grit.
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Thank you, Liz! Three excellent character examples! I read and liked both novels, though “Cold Mountain” was SO depressing.
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You’re welcome, Dave! I was so upset by the ending of Cold Mountain–and I’d already seen the movie, so I knew what the ending would be.
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I love books with courageous, free-spirited female characters. I’ve seen the tv program of Moll Flanders, but your post makes me wonder if I should give the book a go!
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Thank you, Ada! I love those books, too!
Like many 18th-century novels, “Moll Flanders” can be a bit challenging to read at times but I liked it overall. I’ve never seen a screen adaptation of it; glad you did!
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