
Every one of us can relate to looking back at our younger years and remembering the highs and lows of that time. Feeling nostalgia or regret or embarrassment, etc., from an adult perspective. And perhaps getting insight into what helped make us what we are today.
Among the many authors who have explored a fictional character’s past is Haruki Murakami in the rather lengthily titled Colorless Tsukuru Tazaki and His Years of Pilgrimage, which I read last week. As a teen two decades earlier, Tsukuru had been part of a group of five close friends when the other four suddenly and completely cut him off without explanation. Tsukuru was devastated, and never quite got over it even into his 30s. Finally, his girlfriend insists that the Tokyo-based Tsukuru try to find out what happened — which leads him to revisit his Japanese hometown of Nagoya and even take a trip to Finland.
Revisiting/analyzing one’s younger years is also a major theme of Cat’s Eye by Margaret Atwood. In that novel, celebrated Canadian painter Elaine Risley is invited back to her Toronto hometown for a retrospective show of her art. That visit brings to the surface many memories of her childhood — which included negative experiences (such as being bullied) and more positive ones.
Harper Lee’s renowned To Kill a Mockingbird novel has its Scout Finch character recount her childhood from an adult vantage point. Nicholas Sparks does something similar in A Walk to Remember, as the middle-aged Landon Carter recalls his teen romance with the gravely ill Jamie Sullivan. In both cases, virtually the whole book takes place in the past, except for the brief later-life framing.
Many other novels chiefly focus on a protagonist in adulthood while offering brief childhood flashbacks to more fully flesh out the character. Elin Hilderbrand’s The Blue Bistro, a book I just finished set mostly in a Nantucket restaurant, does that well.
The recollection-of-childhood approach is different in Charlotte Bronte’s Jane Eyre, as the title character uses a first-person narrative to chronologically chronicle her life from girlhood into adulthood. George Eliot does a third-person version of that in The Mill on the Floss as she tells the life story of Maggie Tulliver (and to a lesser extent Maggie’s brother Tom).
A chronological kid-to-adult story line can of course be extended into a series, as is the case with J.K. Rowling’s Harry Potter books and Jean M. Auel’s Earth’s Children books (The Clan of the Cave Bear, etc). In those two series, the sagas end in early adulthood for the young protagonists.
Another type of approach is in Jamie Ford’s Hotel on the Corner of Bitter and Sweet, which features Henry Lee in parallel story lines — as a 56-year-old adult in the 1980s, and as a 12-year-old kid seeing his friend Keiko Okabe relocated to a harsh Japanese-American internment camp in Idaho in the 1940s.
Then there’s F. Scott Fitzgerald’s short story “The Curious Case of Benjamin Button,” in which the title character ages in reverse — from old to young. Kind of a different category. 🙂
Your thoughts about, and examples of, this theme?
Misty the cat says: “Thomas Wolfe wrote ‘You Can’t Go Home Again.’ I’m proving him wrong.”
My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Misty says Amazon reviews are welcome. 🙂 )

This 90-second promo video for my book features a talking cat: 🙂
I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about affordable housing, flooding, public libraries in need of work, a schools superintendent search, and more — is here.





























