Author: Dave Astor

War in Literature: A No-Peace Piece

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With all the tragic fighting this summer in Gaza, Iraq, the Ukraine, and elsewhere, my literature-obsessed mind began to think about novels referencing wars, lead-ups to wars, and aftermaths of wars.

That mindset also had something to do with reading For Whom the Bell Tolls last week. Ernest Hemingway’s intense novel takes place during the Spanish Civil War, which pitted those loyal to Spain’s democratically elected government against Francisco Franco’s ultimately victorious fascists. (A war my wife’s late father, Robert Cummins, experienced as a member of the Abraham Lincoln Brigade.)

Hemingway — who covered the Spanish Civil War as a reporter and was wounded during the earlier World War I — uses For Whom the Bell Tolls to expertly touch on almost everything that makes many war novels riveting: death, injury, fear, courage, exhaustion, coping strategies, smart decisions, dumb decisions, poignant romances that blossom almost instantly, the psychological devastation of some survivors, and more. War novels are almost inherently dramatic, because the characters know they might lose their lives at any moment.

That’s certainly the case with Erich Maria Remarque’s heartbreaking A Time to Love and a Time to Die, in which Elizabeth and soldier Ernst meet during Ernst’s brief furlough and desperately try to condense a lifetime’s worth of a relationship into way too short a time.

Remarque also wrote several other remarkable novels with pre-war, war, and post-war themes — including Arch of Triumph, The Night in Lisbon, and of course All Quiet on the Western Front. Like Hemingway, Remarque had a visceral sense of war from his own experiences — as a soldier hurt during World War I and as an exile from his native Germany after being vilified by a Nazi regime that later brutally beheaded his sister Elfriede in displaced revenge against Remarque.

The Remarque canon also includes Spark of Life, a superb and sorrowful novel set in a World War II concentration camp — where much of William Styron’s beyond-sad Sophie’s Choice takes place as well.

Another author deeply affected by war was Kurt Vonnegut, whose darkly humorous Slaughterhouse-Five was inspired by the author’s traumatic time as a WWII prisoner. There’s also the satirical masterpiece Catch-22 by WWII bombardier Joseph Heller.

While it certainly helps to have firsthand military knowledge before writing a war novel, some authors manage to create excellent works without that direct experience. They include Stephen Crane, whose The Red Badge of Courage is set in America’s Civil War; and Dalton Trumbo, who depicts the physical devastation of Joe Bonham in his powerful antiwar novel Johnny Got His Gun. Library research, visiting battlefields after the fact, and interviewing veterans are among the devices that help such authors.

Not surprisingly, fewer women than men write war novels — which reflects, among other things, usually having less combat experience than males (though that’s of course changing these days as more women enter the military). Still, some female authors have written about war and its toll as well or better than men. They include Willa Cather, whose Pulitzer Prize-winning One of Ours takes place during World War I; and Virginia Woolf, whose Mrs. Dalloway searingly conveys post-war stress via the shell-shocked Septimus Smith character.

Speaking of WWI, Larry Darrell in W. Somerset Maugham’s absorbing The Razor’s Edge becomes a spirituality seeker after a terrible experience during that century-ago carnage.

Many novels feature fictional wars, but the emotions of the characters who fight are much the same as those felt by participants in real wars. Among those books are J.K. Rowling’s Harry Potter and the Deathly Hallows (with its dramatic battle at Hogwarts), H.G. Wells’ The War of the Worlds, and J.R.R. Tolkien’s The Lord of the Rings. Tolkien’s depiction of warfare in his iconic trilogy was at least partly inspired by World War I experiences that included the almost complete wipe-out of his battalion while the future author was on sick leave.

More examples of real-life conflicts depicted in memorable novels: The Siege of Orleans and other bloody skirmishes in Mark Twain’s Personal Recollections of Joan of Arc, The Battle of Bothwell Bridge in Sir Walter Scott’s Old Mortality, The Revolutionary War in Robertson Davies’ Murther & Walking Spirits, the Haitian Revolution in Madison Smartt Bell’s All Souls’ Rising, and South Africa’s anti-apartheid fight in Nadine Gordimer’s My Son’s Story. I haven’t read any Vietnam War novels (yet).

What are your favorite novels, or other literary works, with war themes?

(The box for submitting comments is below already-posted comments, but your new comment will appear at the top of the comments area — unless you’re replying to someone else.)

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For three years of my Huffington Post literature blog, click here.

I’ve also written more than half of a literature-related book, but I’m still selling my often-funny Comic (and Column) Confessional memoir — which recalls 25 years of covering/meeting cartoonists such as Charles Schulz (“Peanuts”) and Bill Watterson (“Calvin and Hobbes”), columnists such as Ann Landers and “Dear Abby,” and other notables such as Hillary Clinton, Coretta Scott King, and various authors. The memoir also talks about the malpractice death of my first daughter, my remarriage, and life in New York City and Montclair, N.J. — where I write the award-winning weekly “Montclairvoyant” humor column for The Montclair Times. I can be reached at dastor@earthlink.net to buy a discounted, inscribed copy of the book, which contains a preface by “Hints” columnist Heloise and back-cover blurbs by “The Far Side” cartoonist Gary Larson, among others.

Our Favorite Friendships in Fiction

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Perhaps we remember the great romances more, but literature’s great friendships also provide us with many pleasurable reading experiences.

Fictional friendships — which are often more enduring than romances — can teach us, touch us, blunt our cynicism, and remind us of our own longtime pals. And if some of literature’s buddies have a falling out, the silver lining for readers is plenty of dramatic tension.

I love friendships of all types in literature, but my favorites are the ones that cross the lines of race, ethnicity, gender, and class. Those different-background relationships can be tricky in real life, so it’s especially nice to see them succeed in fiction.

One obvious multicultural pairing is Mark Twain’s Huck and Jim — a white boy and a slavery-escaping black man who gradually become close. Heck, Adventures of Huckleberry Finn could have been called The Friendship of Huckleberry Finn — and we’re not talking about Huck’s interactions with the annoying Tom Sawyer!

There are also the unshakable comrades Chingachgook and Natty Bumppo in James Fenimore Cooper’s five absorbing “Leatherstocking” novels. The final The Last of the Mohicans scene between the Native-American chief and the white hunter (aka Hawkeye, Deerslayer, Pathfinder, etc.) is one of the most touching depictions of friendship in literature.

Or how about Uncle Tom and young Eva in Harriet Beecher Stowe’s Uncle Tom’s Cabin? Two admirable people who become interracial and intergenerational friends before circumstances turn tragic for each.

Another great example of friendship across age and class lines — this time with both characters white — is that of the working-class Mary and the older, more-moneyed Elizabeth in Tracy Chevalier’s historical novel Remarkable Creatures. Fossil hunting brings them together.

Mixed-gender friends? They include Jim and Antonia in Willa Cather’s excellent My Antonia, and none other than Harry Potter and Hermione Granger in J.K. Rowling’s mega-popular series.

Of course, many pals are the same gender and socioeconomically similar. One of the most memorable friendships in literature is between Jane Eyre and the sickly, religious, warmhearted Helen Burns (when both are kids) in Charlotte Bronte’s classic novel.

There’s also the prison friendship of Edmond Dantes and Abbe Farina in Alexandre Dumas’ rousing The Count of Monte Cristo, with the latter character doubling as a mentor; and the relationship between Dmitri and destined-for-prison Raskolnikov in Fyodor Dostoyevsky’s masterpiece Crime and Punishment — though Dmitri does most of the heavy lifting after the initial stages of that friendship.

Or how about “kindred spirits” Anne and Diana in L.M. Montgomery’s marvelous Anne of Green Gables?

In novels of more recent vintage, Terry McMillan’s appealing Waiting to Exhale features four friends (Savannah, Bernadine, Robin, and Gloria); John Irving’s A Prayer for Owen Meany depicts a fascinating friendship between John and the very original Owen; Margaret Atwood’s terrific The Robber Bride chronicles the many-year relationship between Roz, Charis, and Tony, all three of whom share an enemy; and Barbara Kingsolver’s Flight Behavior includes the fun, satisfying friendship between Dellarobia and Dovey.

I haven’t even gotten into friendships between humans and animals in novels such as Jack London’s riveting The Call of the Wild and White Fang, Albert Payson Terhune’s poignant His Dog, and William H. Armstrong’s also-poignant Sounder.

Who are your favorite friends in literature?

(The box for submitting comments is below already-posted comments, but your new comment will appear at the top of the comments area — unless you’re replying to someone else’s comment.)

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For three years of my Huffington Post literature blog, click here.

I’ve also written more than 50% of a literature-related book, but I’m still selling my often-funny Comic (and Column) Confessional memoir — which recalls 25 years of covering/meeting cartoonists such as Charles Schulz (“Peanuts”) and Bill Watterson (“Calvin and Hobbes”), columnists such as Ann Landers and “Dear Abby,” and other notables such as Hillary Clinton, Coretta Scott King, and various authors. The memoir also talks about the malpractice death of my first daughter, my remarriage, and life in New York City and Montclair, N.J. — where I write the award-winning weekly “Montclairvoyant” humor column for The Montclair Times. I can be contacted at dastor@earthlink.net to buy a discounted, inscribed copy of the book, which contains a preface by “Hints” columnist Heloise and back-cover blurbs by “The Far Side” cartoonist Gary Larson, among others.

Authors Who Lived in More Than One Country

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I recently finished Vladimir Nabokov’s Pale Fire, and, after musing about how clever that novel is, I read a Wikipedia biography of the author.

It turned out that Nabokov wrote his first nine novels in Russian before switching to English — after which he authored his two most famous books: the controversial Lolita and the aforementioned Pale Fire, which consists of a poem followed by an extended, often-hilarious analysis that’s less about the poem than about the weird analyzer (who may or may not be a king who escaped to the U.S.).

Nabokov’s life got me thinking about other authors who lived in more than one country, and what effect that had on their work. Obviously, writers with multinational backgrounds might be compassionate or bitter about leaving one’s place of origin, more cosmopolitan, more knowledgeable about the world, more attuned to the pros and cons of various countries and political systems, more aware that human emotions anywhere tend to be alike rather than different, and so on.

The brilliant Nabokov was born in Russia and then lived in Germany before emigrating to America. Ending up in the U.S. is the template for many authors, and I’ll mention some of them first. But there are also a number of U.S.-born writers who went abroad, as well as serial-country authors who never lived in the fifty states. I’ll discuss some of those authors second and third. Meanwhile, I’ll mention here that Nabokov later left the U.S. for Switzerland.

German novelist Erich Maria Remarque also ended up in Switzerland, but lived a number of years in America after getting on the hate list of the vile Nazi regime. His last novel — Shadows in Paradise — is set in the U.S., but doesn’t measure up to his masterpieces such as the antiwar All Quiet on the Western Front, Arch of Triumph, and The Night in Lisbon.

There’s also Khaled Hosseini, whose riveting novel The Kite Runner was obviously inspired in part by his move from Afghanistan to America (with an in-between stay in France). English writer Aldous Huxley of Brave New World fame spent much of his life living in “The New World” (California, to be exact). Nigerian author Chinua Achebe (Things Fall Apart) resided a number of years in the U.S., too.

American-born authors living overseas for long periods? Two prime examples are Henry James (England) and Edith Wharton (France). Then there’s James Fenimore Cooper (in Europe from 1826 to 1833) and Nathaniel Hawthorne (in Europe from 1853 to 1860, when he strayed from his fiction’s usual New England settings to place The Marble Faun in Italy). Also, authors Richard Wright and James Baldwin went to France, partly to escape America’s virulent racism. Willa Cather lived in the U.S., but spent many summers at the only house she ever owned — in Canada (the setting of her little known but superb historical novel Shadows on the Rock). Another American author, Mary McCarthy, spent a lot of time in a second home in Paris.

Multinational authors with little or no time in the U.S. include, among others, Gabriel Garcia Marquez (Colombia, Venezuela, Spain, Mexico); Fanny Burney (England, France, England); Polish writer Joseph Conrad (who ended up in England); Kazuo Ishiguro (whose family moved from Japan to England when he was five); Russian writer Ivan Turgenev (who spent significant time in Germany and France); and Emile Zola (who left France for England to avoid jail after his brave role in debunking the anti-Semitic framing of Capt. Alfred Dreyfus).

Who are some of your favorite authors with lives lived in two or more countries? Why is this an advantage to a writer? Any disadvantages? (The box for submitting comments is below already-posted comments, but your new comment will appear at the top of the comments area — unless you’re replying to someone else’s comment.)

A note: After today, I will not post a new piece for perhaps three weeks or so for the usual summer reasons, but will pick up the pace starting in mid-August!

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For three years of my Huffington Post literature blog, click here.

I’ve also written more than 50% of a literature-related book. But I’m still selling my part-funny Comic (and Column) Confessional memoir that recalls 25 years of covering/meeting cartoonists such as Charles Schulz (“Peanuts”) and Bill Watterson (“Calvin and Hobbes”), columnists such as Ann Landers and “Dear Abby,” and other notables such as Hillary Clinton, Coretta Scott King, and various authors. The memoir also talks about the malpractice death of my first daughter, my remarriage, and life in New York City and Montclair, N.J. — where I write the award-winning weekly “Montclairvoyant” humor column for The Montclair Times. I can be contacted at dastor@earthlink.net to buy a discounted, inscribed copy of the book, which has a preface by “Hints” columnist Heloise and back-cover blurbs by “The Far Side” cartoonist Gary Larson, among others.

Servants in Literature

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Some real-life servants are treated badly by their rich employers, but many fictional servants are treated nicely by their authors. A small, wish-fulfilling solace for readers in this time of soaring economic inequality.

Literature’s servants and other “hired help” are often smarter, funnier, and more compassionate than their “betters.” Perhaps that’s partly because they have to work hard for a living, while some of the wealthy get their money the old-fashioned way — inheriting it. Ah yes, the merit system…

Servants in literature also help us judge their masters. You can tell a lot about an affluent person’s decency (or lack of) by how they treat their so-called “inferiors.”

Some stand-out servants in fiction? Jeeves, of course, in the engaging and hilarious works of P.G. Wodehouse. That valet is incredibly bright and well-spoken, and helps his congenial but somewhat dim “master” Bertie Wooster out of many a scrape.

Another famous servant character is Nelly Dean, who’s the pragmatic voice of reason in a Wuthering Heights novel filled with hyper-passionate and/or weak-minded people. Nelly grounds Emily Bronte’s superb book, and helps make the hard-to-believe events in it seem believable. Of course, another servant in that novel is boorish religious fanatic Joseph, but we won’t talk about him… 🙂

Nineteenth-century English literature also offers us Nanny from the longish short story “The Sad Fortunes of Reverend Amos Barton” in the Scenes of Clerical Life collection George Eliot wrote before embarking on her astonishing career as a novelist. Nanny is the servant who memorably denounces a freeloading countess who overstays her welcome in the Bartons’ struggling household and even endangers the health of Amos’ kindhearted wife Milly.

How about Lee in John Steinbeck’s gripping East of Eden? That servant is an intellectual guy who cleverly deals with anti-Asian prejudice in the American West of the late 1800s/early 1900s and serves as a surrogate father to the Trask sons when biological father Adam is traumatized by a disastrous marriage.

Then there are the underlings/sidekicks such as Sancho Panza in Miguel Cervantes’ iconic Don Quixote and Samwise in J.R.R. Tolkien’s The Lord of the Rings. In the former book, squire Sancho is a humorous/competent companion to the less-than-practical Quixote. In the latter work, gardener Samwise becomes an invaluable friend to Frodo — who, while admirable and brave, would have been in dire straits without Sam’s help during the Tolkien trilogy’s epic quest.

Speaking of funny characters, and characters named Sam, it’s hard to beat Sam Weller of Charles Dickens’ The Posthumous Papers of the Pickwick Club when it comes to literature’s all-time underlings.

There’s also Kazuo Ishiguro’s The Remains of the Day, in which loyal butler Stevens comes to regret a major missed opportunity in his life.

Last but by no means least, we can’t forget the many fictional African-American characters forced into servant work or outright slavery  — whether it be in Toni Morrison’s Beloved, Alex Haley’s Roots, Kathryn Stockett’s The Help, Harriet Beecher Stowe’s Uncle Tom’s Cabin, and many other novels. “Uncle Tom” became a derogatory term, but Tom in the book is quite courageous in his turn-the-other-cheek way — and is clearly the moral center of Stowe’s story.

James Fenimore Cooper’s The Last of the Mohicans and Rita Mae Brown’s Murder at Monticello are among the numerous other novels that have interesting references to the horrific institution of slavery — the ultimate servanthood.

What are your favorite literary works featuring servants, butlers, maids, valets, and others of that station in life? (The box for submitting comments is below already-posted comments. But your new comment will appear at the top of the comments area, unless you’re replying to someone else’s comment!)

(Thanks to Eric Pollock for reminding me of The Remains of the Day, to Geoff M./hopper250 for recommending the exciting works of James Fenimore Cooper, and to Carolyn L./giftsthatpurr for recommending Rita Mae Brown’s engaging mysteries.)

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I’ve written more than half of a book with a literature theme. But in the meantime, I’m still selling my Comic (and Column) Confessional memoir.

In that often-humorous book, I recall 25 years of covering and meeting cartoonists such as Charles Schulz (“Peanuts”) and Bill Watterson (“Calvin and Hobbes”), columnists such as Ann Landers and “Dear Abby,” and other notables such as Hillary Clinton, Coretta Scott King, and various authors. On the personal front, the memoir also talks about the malpractice death of my first daughter, my divorce and remarriage, and life in New York City and Montclair, N.J. — where I write the award-winning weekly “Montclairvoyant” humor column for The Montclair Times.

You can contact me at dastor@earthlink.net to buy a discounted, inscribed copy of Comic (and Column) Confessional — which includes a preface by “Hints” columnist Heloise and back-cover blurbs by “The Far Side” cartoonist Gary Larson and others.

And for three years of my Huffington Post essays on literature, click here.