arundhati-roy

Observe the Learning Curve

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Sometimes, authors dazzle with their debut novels. Mary Shelley and Frankenstein. Emily Bronte and Wuthering Heights. Carson McCullers and The Heart Is a Lonely Hunter. Ralph Ellison and Invisible Man. Arundhati Roy and The God of Small Things. Zadie Smith and White Teeth. Etc.

But more frequently there’s somewhat of a learning curve for authors, which is totally natural — and totally the topic of this post.

I came to this topic via the work of Stephenie Meyer, three of whose novels I recently read in reverse order: first The Chemist (2016), then The Host (2008), and then Twilight (2005). Twilight was of course Meyer’s mega-bestselling debut featuring a teen human and teen vampire who fall in love. An interesting take on the vampire genre that held my interest even as it was too often written in a pedestrian way. Published three years later, The Host turned out to be a fascinating sci-fi story — and more skillfully crafted. Finally, The Chemist thriller about a hunted female ex-government agent was full of superb prose and dialogue. Meyer’s wordsmithing arc was impressive.

It all reminded me a bit of J.K. Rowling’s progression. The first Harry Potter novel was compelling and tons of fun as the author did her world-building, even as the writing itself was not super-scintillating. But Rowling’s prose and dialogue got better and better as her next six wizard-realm books emerged, and continued in that direction with the skillfully written The Casual Vacancy and the riveting crime series starring private investigators Cormoran Strike and Robin Ellacott.

Both Rowling and Meyer can be rather long and wordy in their more recent offerings, but I’m here for it.

Going much further back in time, I liked the feminist idea of Jack London’s early novel A Daughter of the Snows, but the dialogue was laughable and the prose clunky. One year later, London’s pitch-perfect The Call of the Wild was released. I don’t know what writing elixir the author imbibed during those 12 months, but I want it. 🙂

F. Scott Fitzgerald’s college-set debut novel This Side of Paradise is quite uneven, only hinting at the greatness of The Great Gatsby published just five years later.

John Steinbeck’s debut novel Cup of Gold was an okay, rather conventional pirate novel before much of his later fiction became light years better — including, of course, his masterpiece The Grapes of Wrath.

Willa Cather’s first two novels — Alexander’s Bridge and O Pioneers! — exhibited some authorial growing pains before they were followed by her absorbing The Song of the Lark and then the masterful My Antonia.

Dan Brown’s early-career novel The Da Vinci Code was VERY popular and quite ingenious in its way but even more awkwardly written than Stephenie Meyer’s Twilight. I never read Brown again, but I assume his writing improved?

Any comments about, or examples of, this theme?

Misty the cat asks: “How am I supposed to shovel this stuff without opposable thumbs?”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — which has “no appeal” appeal — is here.

When There’s No ‘Rush’ Between Novels

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Clockwise from top left, Rush bandmates Geddy Lee and Alex Lifeson (photo credit: Rush), new Rush drummer Anika Nilles (Richard Ecclestone/Redferns), and the late Neil Peart (Clayton Call/Getty Images).

Last week, the band Rush announced it would go on a concert tour again in 2026 for the first time in 11 years. (Stick with me here; this will eventually be a literature post. 🙂 )

A lot has happened since 2015 with one of my favorite bands. Rush stopped touring mostly because the Canadian group’s legendary drummer/lyricist Neil Peart needed to end the physical and mental strain of more than four decades of hard-slamming, intricate percussion work. His bandmates — vocalist/bassist/keyboardist Geddy Lee and guitarist Alex Lifeson, the friends from childhood who co-created the music paired with Peart’s words — decided not to continue the Rock and Roll Hall of Fame band without their close pal and went on to do other things. That included Lifeson playing in another band (Envy of None) and Lee writing a best-selling memoir and a coffee-table book focusing on bass guitars.

Peart himself was a prolific nonfiction-book author whose Rush lyrics included many literary references; see below for a 2020 post of mine about that. Sadly, “The Professor” (as Peart was known) died that year of brain cancer. It definitely looked like Rush was done — until last week’s news.

It’s a Fact That Rush’s Lyricist Loved Fiction

The grand conclusion to all this? Brilliant drummer Anika Nilles of Germany was chosen by Lee and Lifeson to sit in Peart’s spot behind the kit — with the permission of Peart’s widow and daughter.

Anyway, this is a long intro to a literature theme Rush’s announcement made me think of — authors going a long time before writing a novel again. (I’ve previously done variations on this theme, including instances of a long gap between a famous novel and its sequel.)

The first author that came to mind was Herman Melville, whose last published novel in his lifetime came out in 1857 despite him not dying until 1891. Poor sales, negative reaction from critics, and other factors put a halt to a decade-plus of very prolific book writing, though Melville in his non-novel years did do some poetry in addition to his customs inspector job. Still, Melville started the novel Billy Budd a few years before his death — and it became a success when published posthumously in 1924 and republished in a more complete 1962 edition.

Melville’s friend Nathaniel Hawthorne’s first novel, 1828’s Fanshawe, didn’t sell well and the author turned to short stories and other things for a long 22 years before The Scarlet Letter arrived in 1850. That became an instant classic, and several other novels followed fairly quickly.

Then there’s Marilynne Robinson, whose debut novel Homecoming came out in 1980 — followed by a 24-year gap before her second novel Gilead was published. Why? Robinson turned to nonfiction writing and to teaching. The author released novels more often after 2004.

Arundhati Roy also wrote an acclaimed debut novel — 1997’s The God of Small Things — before two decades went by until her second novel, 2017’s The Ministry of Utmost Happiness. Like Robinson, Roy wrote nonfiction in between and was also involved in plenty of political activism in India.

Of course, some novelists come out with a new title only once in a while because they’re slower writers and/or write ambitious books that take a lot of time. That’s the case, for instance, with Donna Tartt — whose only three novels were published in 1992, 2002, and 2013; now 12 years and counting until a possible fourth. A similar trajectory for Jeffrey Eugenides — only three novels, in 1993, 2002, and 2011, with other years taken up by plenty of short stories as well as teaching.

To reference the title of one of Rush’s most famous songs, there can be a long gap between time in the “Limelight,” and inspiration doesn’t always arrive like clockwork. (Clockwork Angels was Rush’s last studio album.)

Your thoughts on, and/or any examples of, this topic?

Misty the cat says: “As Robert Frost wrote, ‘Good fences make good YouTube videos.'”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…as well as a 2012 memoir that focuses on cartooning and more, and includes many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about a new councilor and a deficit referendum decision — is here.

Fictional People Are Getting Deported, Too

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The Trump regime’s cruel deportation program has extended to fictional characters. And this program is widespread: affecting characters from the United States or other countries, characters who live in the present or lived in the past, etc. Because novels can make readers smarter and more empathetic, most of today’s Republicans feel many characters have to be removed from the pages where they live — including pages in some of my favorite literature.

I first heard about character deportations when The Grapes of Wrath‘s Tom Joad, who develops a stronger class consciousness as John Steinbeck’s book goes on, was yanked from the novel by Trump’s masked ICE agent goons. Determined to find Tom, the rest of the Joad family traveled east instead of west and ended up picking crops in New York City’s Times Square. Needless to say, not much was growing through the pavement.

ICE agents also plucked Jane Eyre from Charlotte Bronte’s novel because she’s a determined young woman too independent-minded for Trump’s taste, and doesn’t have big blonde hair like many Fox News hosts do. So, U.S. Secretary of Education/wrestling biz wacko Linda McMahon substituted for Jane as little Adele’s teacher, and Rochester instead fell in love with a Disney princess.

Of course, characters of color are most at risk of the Trump regime’s deportations, and Bigger Thomas of Richard Wright’s Native Son was no exception. Plus his attorney is a communist! With Bigger no longer around as a client, that lawyer represented Jane Eyre as she tried to return to her novel, but Jane instead got sent to Florida’s “Alligator Alcatraz” two centuries before that repugnant concentration-camp-like jail was built.

Clara del Valle Trueba was also deported — from The House of the Spirits. After being kicked out of Isabel Allende’s novel, the clairvoyant Clara took her knowledge of Trump’s guilt in the sickening Epstein pedophile scandal and started a blog about that. Because Clara had been in a magic-realism book, the blog levitated out of her computer screen — which puzzled WordPress customer support.

In Daniel Deronda, Daniel D. and Mirah Lapidoth and Ezra Mordecai Cohen are idealistic proto-Zionists rather than the U.S.-armed genocidal Zionists in Israel’s current leadership who are mass-murdering Palestinian civilians, so the three were deported when entering a government office to register as George Eliot characters. That left Gwendolen Harleth wandering around Eliot’s 19th-century novel, searching for a Burger King in which to have lunch.

Atticus Finch? Taken from To Kill a Mockingbird for being an attorney with integrity. This came after some Trump regime hesitation to deport Finch because author Harper Lee had the same last name as Confederate traitor Robert E. Lee, the Civil War general greatly admired by right-wingers for fighting to defend the appalling institution of slavery. But Atticus did ultimately get booted from To Kill a Mockingbird before joining Donna Tartt’s The Goldfinch novel starring a painting of a bird sharing his last name.

In J.K. Rowling’s Harry Potter books, every character except the ultra-evil Lord Voldemort was deported to make the series more palatable for Republican fascists. One of the characters, Nearly Headless Nick, went on to successfully lose 10 pounds by becoming Completely Headless Nick.

But no character was spared from deportation in Arundhati Roy’s The God of Small Things because Trump erroneously thought the title of that novel referred to his fingers and his…

Misty the cat says: “Where’s my teen human? Oh, she went away to college last weekend.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Misty says Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about the spending to date of money authorized by my town’s massive 2022 school bond referendum — is here.