A Semi-Comprehensive Look at Semi-Autobiographical Novels

In early 2016, I wrote about semi-autobiographical novels. Now that nearly 10 years have passed, I suppose it would be semi-okay to write about those books again — mentioning semi-autobiographical novels I’ve read since then or had read before then but didn’t mention in that previous post. So, with this semi-decent first paragraph nearly done, here goes:

As I wrote in ’16, semi-autobiographical novels “can be the best of both worlds for authors and their readers. That mix of memoir and fiction takes facts and embellishes them and/or dramatizes them and/or smooths them into more coherent form. A partly autobiographical approach also allows authors to potentially pen very heartfelt books — after all, they lived the emotions — and perhaps provides those writers with some mental therapy, too.” I also wrote that a semi-autobiographical novel is often, but of course not always, a debut novel — at least partly because that kind of book might be easier to write; the author can use aspects of her or his own past.

Back here in late 2025, I just read The Cat’s Table by Michael Ondaatje, whose 2011 coming-of-age novel was inspired to an extent by the author’s life and a ship voyage he took as a boy from his native Sri Lanka to rejoin his mother in England after his parents had separated several years earlier. A boy named…hmm…Michael. The Cat’s Table is another compelling book by The English Patient author, who went on to live in Canada.

Another semi-autobiographical/coming-of-age novel (those two things often go together) is Betty Smith’s 1943 bestseller A Tree Grows in Brooklyn — about a brainy girl (Francie) growing up in an impoverished urban family.

Then there’s Little Women by Louisa May Alcott, who loosely based her classic 1868-69 novel on herself and her three sisters.

A few decades earlier, Mary Shelley’s apocalyptic 1826 novel The Last Man featured three principal characters based on herself, her late husband Percy Bysshe Shelley, and their friend and fellow writer Lord Byron.

Aldous Huxley also used famous people as models for characters in his 1928 novel Point Counter Point — including himself, Nancy Cunard, D.H. Lawrence, and Katherine Mansfield.

The characters in Harper Lee’s To Kill a Mockingbird (1960) are somewhat modeled on the author’s father (attorney Atticus Finch in the novel), herself (Scout in the book) and Lee’s childhood friend Truman Capote (fictionally named Dill).

Kurt Vonnegut’s horrific World War II experiences were fuel for his sci-fi-infused 1969 novel Slaughterhouse-Five, and Jack Kerouac’s travel experiences provided fodder for his On the Road (1957).

Some of the semi-autobiographical novels mentioned in my 2016 post include James Baldwin’s Go Tell It on the Mountain, Ray Bradbury’s Dandelion Wine, Charlotte Bronte’s Villette, Rita Mae Brown’s Rubyfruit Jungle, Charles Bukowski’s Hollywood, Willa Cather’s My Antonia, Colette’s The Vagabond, Charles Dickens’ David Copperfield, E.L. Doctorow’s World’s Fair, Fyodor Dostoevsky’s The House of the Dead, George Eliot’s The Mill on the Floss, Nathaniel Hawthorne’s The Blithedale Romance, Zora Neale Hurston’s Their Eyes Were Watching God, Jack London’s Martin Eden, W. Somerset Maugham’s Of Human Bondage, Herman Melville’s Typee, L.M. Montgomery’s Emily trilogy, Sylvia Plath’s The Bell Jar, Erich Maria Remarque’s All Quiet on the Western Front, John Steinbeck’s East of Eden, and Amy Tan’s The Joy Luck Club.

Your thoughts about, and examples of, this topic?

Misty the cat says: “When Christmas-tree lights reflect off the window, it’s a pane in the grass.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — which contains a tale of two meetings — is here.

Books Helped Robert Redford’s Film Career Shine

A screen shot from The Natural movie starring a man who hit a home run in life.

Like many other performers, Robert Redford appeared in a number of films inspired by books. I’ll discuss several of those screen adaptations in this post, which appears five days after the sad news of the iconic star’s September 16 death at age 89.

The first movie that came to mind was The Natural (1984), based on Bernard Malamud’s 1952 novel of the same name. Redford starred as baseball player Roy Hobbs, who returns to the game in midlife after being shot as a young man. (The Hobbs name is an amalgam of real-life baseball legends Ty Cobb and Rogers Hornsby.) Quite a compelling and affecting motion picture, which — as is often the case with Hollywood — has a happier ending than the one in the more nuanced book.

A decade earlier, another major role for Redford was in the 1974 movie version of F. Scott Fitzgerald’s 1925 classic The Great Gatsby. Redford was Jay Gatsby to Mia Farrow’s Daisy Buchanan.

I didn’t realize until researching this post that 1973’s The Way We Were movie — in which Redford co-starred with Barbra Streisand — was based on Arthur Laurents’ 1972 novel rather than on a totally original screenplay.

Redford was not only an actor but a director, producer, longtime champion of independent films, and laudable activist for the environment and other causes. Several of those multiple talents came together for the 1988 movie version of John Nichols’ 1974 novel The Milagro Beanfield War. The film — whose cast included Ruben Blades and Sonia Braga — didn’t do well at the box office, but Redford received praise for his direction of it.

I’ve read Nichols’ and Malamud’s books, but not Judith Guest’s 1976 novel Ordinary People, for which Redford won the directing Oscar for the 1980 movie version starring Mary Tyler Moore, Donald Sutherland, and Timothy Hutton. I’ve seen the film, which is excellent.

Redford of course also acted in movies based on notable nonfiction books — including 1937’s Out of Africa memoir by Isak Dinesen (Redford co-starred with Meryl Streep in the 1985 film) and 1974’s Watergate-scandal-focused All the President’s Men by Washington Post reporters Bob Woodward and Carl Bernstein (Redford played Woodward opposite Dustin Hoffman as Bernstein in the 1976 movie). I’ve read both books, and the films did each of them justice even as their main characters were more glamorous than their written-page counterparts.

A great late-career role for Redford was in the 2017 screen adaptation of Kent Haruf’s very poignant 2015 novel Our Souls at Night, about an older couple’s twilight-years romance. He co-starred with Jane Fonda, repeating a charismatic pairing from several earlier films.

I’ll close with this: Redford lived a life that we’ll remember with affection and admiration for his talent, his kindness, and his social conscience. People such as the cruel Trump and his dreadful toadies will be remembered quite differently when they’re gone.

Any thoughts on Redford, the films and books mentioned in this post, or any book-inspired Redford movies I might have missed? (My post included only titles for which I read the book or saw the film or both.)

Misty the LGBTQ-friendly cat says: “I have two mums, and I’m fine with that.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Misty says Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book

…and a 2012 memoir that focuses on cartooning and more, and includes many encounters with celebrities. (But not Robert Redford. 🙂 )

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about an exploding school budget deficit and a Township Council member’s sudden resignation — is here.