meryl-streep

‘The Good Earth’ and Not-So-Good Movie Casting

Posted by

115

I reread Pearl S. Buck’s novel The Good Earth this month, and was again impressed with how compelling that 1931 classic is. Buck’s depiction of the relationship between Chinese peasant farming couple Wang Lung (hardworking/ambitious) and O-Lan (hardworking/stoic) was something to behold — as was Wang’s eventual, disappointing lack of respect for that marriage as he became more “successful” in life.

Normally I’d consider watching the movie version of a novel, but I’ll take a pass on this one. That’s because The Good Earth film of 1937 stars two white performers — Paul Muni and Luise Rainer — as Wang and O-Lan despite Buck wanting Chinese or Chinese-American performers. (Some lesser roles in the movie went to people of Asian descent.) Of course, Buck was not of Asian descent herself, but did spend many years of her childhood and adulthood in China.

Hollywood’s racist/catering-to-what-much-of-the-public-supposedly-wanted “whitewashing” of characters of color was not unusual back in the day, even as the practice continued here and there in more-recent decades.

For instance, 1994’s The House of the Spirits movie based on Isabel Allende’s terrific 1982 novel of the same name was justly criticized for having non-Hispanic actresses and actors in most of the major roles. Great performers — Meryl Streep, Glenn Close, Jeremy Irons, Winona Ryder, Vanessa Redgrave, etc. — but not the right ethnicity for the parts.

Miscasting also happened when white actor Alec Guinness played Indian character Professor Narayan Godbole in the 1984 film based on E.M. Forster’s 1924 novel A Passage to India.

In 1997, white actor Casper Van Dien was Johnny Rico in a film based on Robert A. Heinlein’s 1959 sci-fi novel Starship Troopers. In the book, the character was Juan “Johnny” Rico, of Filipino descent.

Also, Mexican-American attorney Mickey Haller from Michael Connelly’s 2005 novel The Lincoln Lawyer and its sequels was played in a 2011 movie by white actor Matthew McConaughey. This was rectified in a later TV series starring Manuel Garcia-Rulfo.

In addition, the 2003 film based on Philip Roth’s 2000 novel The Human Stain starred Anglo actor Anthony Hopkins as Professor Coleman Silk, an African American who “passes” as white.

The white Mickey Rooney played an Asian supporting character in the 1961 movie version of Truman Capote’s 1958 novella Breakfast at Tiffany’s.

Returning to the 1930s, white actor Sam Jaffe got the part of the ancient Asian “High Lama” in the Lost Horizon film (1937) based on James Hilton’s mesmerizing 1933 novel of the same name.

The King and I film (1956) based on Margaret Landon’s novel Anna and the King of Siam (1944) starred Yul Brynner, a white actor, as Asian royalty.

William Shakespeare’s character Othello has been played in movie versions by white actors such as Orson Welles (1951) and Laurence Olivier (1965). A shame that renowned African-American actor/singer/activist Paul Robeson — who memorably portrayed Othello on the stage multiple times — wasn’t invited to do a movie version. (Robeson died on January 23, 1976 — 50 years ago as of this past Friday.)

Of course, there have been some instances in recent decades where performers of color have portrayed fictional or real-life white people — including Black actor Morgan Freeman as Red in the 1994 film The Shawshank Redemption based on a Stephen King story, and Black actress Noma Dumezweni as the adult Hermione Granger in the play Harry Potter and the Cursed Child inspired by J.K. Rowling’s Harry Potter novels. This kind of casting also happened in Lin-Manuel Miranda’s blockbuster musical Hamilton and in a production of Arthur Miller’s Death of a Salesman I saw in my town about 15 years ago. I have no problem with these infrequent occurrences; I see them as compensation of sorts for white performers historically getting most of the best roles.

Your thoughts about, and examples of, this topic?

An added, somewhat-related comment: In the United States, “law enforcement” has a vile history of murdering people of color who are either innocent or committed minor infractions. Yesterday, the Trump regime’s Gestapo-like federal agent thugs added to their crimes against innocent non-white Americans by murdering a second innocent white Minnesotan this month — both of whom (Renee Nicole Good and ICU nurse Alex Pretti) tragically found themselves in the “role” of people of color victimized by out-of-control “policing.” If there is any justice, Trump as well as his sociopathic administration appointees and masked “law enforcement” goons will all end up in prison someday.

Misty the cat says: “I will only go out in the snow today if someone gifts me their Nobel Prize.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about an upcoming special congressional election and more — is here.

Books Helped Robert Redford’s Film Career Shine

Posted by

106

A screen shot from The Natural movie starring a man who hit a home run in life.

Like many other performers, Robert Redford appeared in a number of films inspired by books. I’ll discuss several of those screen adaptations in this post, which appears five days after the sad news of the iconic star’s September 16 death at age 89.

The first movie that came to mind was The Natural (1984), based on Bernard Malamud’s 1952 novel of the same name. Redford starred as baseball player Roy Hobbs, who returns to the game in midlife after being shot as a young man. (The Hobbs name is an amalgam of real-life baseball legends Ty Cobb and Rogers Hornsby.) Quite a compelling and affecting motion picture, which — as is often the case with Hollywood — has a happier ending than the one in the more nuanced book.

A decade earlier, another major role for Redford was in the 1974 movie version of F. Scott Fitzgerald’s 1925 classic The Great Gatsby. Redford was Jay Gatsby to Mia Farrow’s Daisy Buchanan.

I didn’t realize until researching this post that 1973’s The Way We Were movie — in which Redford co-starred with Barbra Streisand — was based on Arthur Laurents’ 1972 novel rather than on a totally original screenplay.

Redford was not only an actor but a director, producer, longtime champion of independent films, and laudable activist for the environment and other causes. Several of those multiple talents came together for the 1988 movie version of John Nichols’ 1974 novel The Milagro Beanfield War. The film — whose cast included Ruben Blades and Sonia Braga — didn’t do well at the box office, but Redford received praise for his direction of it.

I’ve read Nichols’ and Malamud’s books, but not Judith Guest’s 1976 novel Ordinary People, for which Redford won the directing Oscar for the 1980 movie version starring Mary Tyler Moore, Donald Sutherland, and Timothy Hutton. I’ve seen the film, which is excellent.

Redford of course also acted in movies based on notable nonfiction books — including 1937’s Out of Africa memoir by Isak Dinesen (Redford co-starred with Meryl Streep in the 1985 film) and 1974’s Watergate-scandal-focused All the President’s Men by Washington Post reporters Bob Woodward and Carl Bernstein (Redford played Woodward opposite Dustin Hoffman as Bernstein in the 1976 movie). I’ve read both books, and the films did each of them justice even as their main characters were more glamorous than their written-page counterparts.

A great late-career role for Redford was in the 2017 screen adaptation of Kent Haruf’s very poignant 2015 novel Our Souls at Night, about an older couple’s twilight-years romance. He co-starred with Jane Fonda, repeating a charismatic pairing from several earlier films.

I’ll close with this: Redford lived a life that we’ll remember with affection and admiration for his talent, his kindness, and his social conscience. People such as the cruel Trump and his dreadful toadies will be remembered quite differently when they’re gone.

Any thoughts on Redford, the films and books mentioned in this post, or any book-inspired Redford movies I might have missed? (My post included only titles for which I read the book or saw the film or both.)

Misty the LGBTQ-friendly cat says: “I have two mums, and I’m fine with that.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Misty says Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more, and includes many encounters with celebrities. (But not Robert Redford. 🙂 )

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about an exploding school budget deficit and a Township Council member’s sudden resignation — is here.