Favorite Females in Fiction, Recently Read

Today is International Women’s Day. Over the years, I’ve written blog posts from various angles about women in literature. This time, I’ll focus on some of my favorite women characters in novels I’ve read (though were not necessarily published) during the past couple of years.

Because of its title, the first book that came to mind was Kristin Hannah’s terrific 2024 novel The Women focusing on Vietnam War combat nurses. It stars Frances “Frankie” McGrath, a somewhat-naive young woman from an affluent family who’s forced to mature very quickly while treating horrendous battle injuries. Her two war-zone mentors — Barb Johnson and Ethel Flint — are also memorable in secondary roles.

Hannah’s previous novel, 2021’s The Four Winds, also has a stirring woman protagonist in Elsa Wolcott. (Her 1930s-set story is clearly influenced by John Steinbeck’s The Grapes of Wrath.)

Elin Hilderbrand’s novels — nearly 30 of which I read in 2024 and 2025 — are teeming with compelling women characters. Among my favorites are teacher Mallory Blessing of 2020’s bittersweet 28 Summers (inspired by Bernard Slade’s Same Time, Next Year) and the strong-willed Irene Steele who moves from Iowa to the Caribbean after her husband dies mysteriously in Hilderbrand’s Paradise trilogy (2018/2020/2020).

I was also drawn to another teacher: Maggie Jones of Kent Haruf’s Plainsong, an affecting 1999 novel that features interlocking stories.

And to the brave/beleaguered former government agent who goes by various aliases in Stephenie Meyer’s 2016 thriller The Chemist.

And to 1950s mathematician/astronaut Elma York of Mary Robinette Kowal’s 2018 alternative-history novel The Calculating Stars.

And to Wall Street attorney-turned-Appalachia legal aid attorney Samantha Kofer in John Grisham’s Gray Mountain (2014).

In the sleuth genre, three impressive yet very human/relatable women I’ve recently mentioned in other posts include Robin Ellacott of J.K. Rowling’s 2013-launched series, cold-case detective Karen Pirie of Val McDermid’s 2003-launched series, and private investigator Kinsey Millhone of the late Sue Grafton’s 1982-2017 alphabet-mystery series I’m currently working through (now enjoying Q Is for Quarry).

Among my favorite women characters in novels (some classic) that I read years ago include Jane Eyre in Charlotte Bronte’s book of the same name, Helen Huntingdon of Anne Bronte’s The Tenant of Wildfell Hall, Anne Elliot of Jane Austen’s Persuasion, Maggie Tulliver of George Eliot’s The Mill on the Floss, Denise Baudu of Emile Zola’s The Ladies’ Paradise, Marian Halcombe of Wilkie Collins’ The Woman in White, Ethelberta Petherwin in Thomas Hardy’s The Hand of Ethelberta, Edna Pontellier of Kate Chopin’s The Awakening, Anne Shirley of L.M. Montgomery’s Anne of Green Gables, Renee Nere of Colette’s The Vagabond, Pilate Dead of Toni Morrison’s Song of Solomon, Imogene “Idgie” Threadgoode of Fannie Flagg’s Fried Green Tomatoes at the Whistle Stop Cafe, Eliza Sommers of Isabel Allende’s Daughter of Fortune, and Dellarobia Turnbow of Barbara Kingsolver’s Flight Behavior, to name a few. (Actually, Anne Shirley is only 16 at the end of Montgomery’s book.)

Your thoughts about this topic, and your favorite women characters?

Misty the cat says: “Last night, clocks and patches of snow both moved one hour ahead.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — which comments on a fraught upcoming school budget vote — is here.

A Semi-Comprehensive Look at Semi-Autobiographical Novels

In early 2016, I wrote about semi-autobiographical novels. Now that nearly 10 years have passed, I suppose it would be semi-okay to write about those books again — mentioning semi-autobiographical novels I’ve read since then or had read before then but didn’t mention in that previous post. So, with this semi-decent first paragraph nearly done, here goes:

As I wrote in ’16, semi-autobiographical novels “can be the best of both worlds for authors and their readers. That mix of memoir and fiction takes facts and embellishes them and/or dramatizes them and/or smooths them into more coherent form. A partly autobiographical approach also allows authors to potentially pen very heartfelt books — after all, they lived the emotions — and perhaps provides those writers with some mental therapy, too.” I also wrote that a semi-autobiographical novel is often, but of course not always, a debut novel — at least partly because that kind of book might be easier to write; the author can use aspects of her or his own past.

Back here in late 2025, I just read The Cat’s Table by Michael Ondaatje, whose 2011 coming-of-age novel was inspired to an extent by the author’s life and a ship voyage he took as a boy from his native Sri Lanka to rejoin his mother in England after his parents had separated several years earlier. A boy named…hmm…Michael. The Cat’s Table is another compelling book by The English Patient author, who went on to live in Canada.

Another semi-autobiographical/coming-of-age novel (those two things often go together) is Betty Smith’s 1943 bestseller A Tree Grows in Brooklyn — about a brainy girl (Francie) growing up in an impoverished urban family.

Then there’s Little Women by Louisa May Alcott, who loosely based her classic 1868-69 novel on herself and her three sisters.

A few decades earlier, Mary Shelley’s apocalyptic 1826 novel The Last Man featured three principal characters based on herself, her late husband Percy Bysshe Shelley, and their friend and fellow writer Lord Byron.

Aldous Huxley also used famous people as models for characters in his 1928 novel Point Counter Point — including himself, Nancy Cunard, D.H. Lawrence, and Katherine Mansfield.

The characters in Harper Lee’s To Kill a Mockingbird (1960) are somewhat modeled on the author’s father (attorney Atticus Finch in the novel), herself (Scout in the book) and Lee’s childhood friend Truman Capote (fictionally named Dill).

Kurt Vonnegut’s horrific World War II experiences were fuel for his sci-fi-infused 1969 novel Slaughterhouse-Five, and Jack Kerouac’s travel experiences provided fodder for his On the Road (1957).

Some of the semi-autobiographical novels mentioned in my 2016 post include James Baldwin’s Go Tell It on the Mountain, Ray Bradbury’s Dandelion Wine, Charlotte Bronte’s Villette, Rita Mae Brown’s Rubyfruit Jungle, Charles Bukowski’s Hollywood, Willa Cather’s My Antonia, Colette’s The Vagabond, Charles Dickens’ David Copperfield, E.L. Doctorow’s World’s Fair, Fyodor Dostoevsky’s The House of the Dead, George Eliot’s The Mill on the Floss, Nathaniel Hawthorne’s The Blithedale Romance, Zora Neale Hurston’s Their Eyes Were Watching God, Jack London’s Martin Eden, W. Somerset Maugham’s Of Human Bondage, Herman Melville’s Typee, L.M. Montgomery’s Emily trilogy, Sylvia Plath’s The Bell Jar, Erich Maria Remarque’s All Quiet on the Western Front, John Steinbeck’s East of Eden, and Amy Tan’s The Joy Luck Club.

Your thoughts about, and examples of, this topic?

Misty the cat says: “When Christmas-tree lights reflect off the window, it’s a pane in the grass.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — which contains a tale of two meetings — is here.