colette

Lit With Wit That Might Side-Split

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On March 8, I marked International Women’s Day with a post about memorable women characters in fiction. On March 15, I marked The Ides of March (when Julius Caesar was killed) with a post about memorable murders in fiction. So, what holiday can I mark today? I did an online search, and discovered that March 22 is National Goof Off Day! Meaning I could write a post about some of the funnier novels I’ve read.

But a search showed I wrote a post like that back in this blog’s first year: 2014. Hmm…guess I’ll rerun that piece today (many of you had yet to become readers here 12 years ago). Then, I’ll add some humorous or part-humorous novels I’ve read since 2014 — or read before that but forgot to mention in my previous Obama-era post.

Here’s the 2014 piece, with a new first paragraph and some other editing:

Some novels are quite funny, in a satirical or just plain silly way. They include books that range from mostly comedic to those that are serious and/or dramatic and/or poignant but contain one or more hilarious scenes — such as Ishmael and Queequeg, pre-ship voyage, in the inn bedroom in Herman Melville’s Moby-Dick.

For instance, there’s Charles Dickens’ laugh-out-loud first novel: The Posthumous Papers of the Pickwick Club, which features the fabulously funny Sam Weller. That book launched Dickens into a popularity stratosphere he never left — even as his increasingly ambitious novels were never quite that humorous again. Was Bleak House a jest-fest? Don’t think so.

Colette had a similar career arc, entering the novel-writing realm with the sidesplitting Claudine at School before moving on to weightier (yet still engaging) works. The title character in Colette’s late-career Gigi wouldn’t last a minute in a battle of witticisms with the rambunctious Claudine.

Speaking of first novels, the seriocomic Harry Potter and the Sorcerer’s Stone has more laughs per square page than any of the six subsequent novels in J.K. Rowling’s series.

Also hilarious is Philip Roth’s Portnoy’s Complaint, in which the “thing” that hits an incandescent bulb is not a light-dazzled moth.

Then there’s Jeeves in the Offing, or almost any other P.G. Wodehouse novel or story starring the brilliant British valet and his rather clueless “master” Bertie Wooster. Wodehouse could make a shopping list funny.

In a very different milieu, novels don’t get much more amusing (or ribald) than Erskine Caldwell’s Tobacco Road and God’s Little Acre. Delightful “southern humor” can also be found in Charles Portis’ Norwood and The Dog of the South, Rita Mae Brown’s Rubyfruit Jungle novel and Sneaky Pie Brown mysteries, and Fannie Flagg’s Fried Green Tomatoes at the Whistle Stop Cafe. Mixed with the laughs in those books are serious themes such as poverty, racism, sexism, and homophobia.

Academia can also be a great source of humor and satire, as evidenced by novels such as Zadie Smith’s On Beauty, Richard Russo’s Straight Man, and Adam Langer’s Ellington Boulevard.

Returning to older novels, we see Mark Twain mixing strong antiwar satire with goofy humor in A Connecticut Yankee in King Arthur’s Court, Henry Fielding even naming a character “Lady Booby” (for her personality) in his uproarious Joseph Andrews, and Miguel de Cervantes being much funnier than one expects in Don Quixote.

More hilarity? Valancy Stirling dramatically parts with her oppressively conventional mother and other relations in L.M. Montgomery’s moving/inspiring The Blue Castle, but the conversations the newly confident Valancy has with her family are as funny as the funniest sitcom.

Italo Calvino is very droll in his short-story-collection-as-novella Marcovaldo. John Steinbeck, so earnest in The Grapes of Wrath and East of Eden, will crack you up in Tortilla Flat, Cannery Row, and Sweet Thursday. And you don’t need an explanation from me about how dizzyingly comedic are Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass.

Now, as I write in 2026, here are some funny or part-funny (in certain cases darkly so) novels I’ve read since the above 2014 post — or read before that but didn’t mention back then. A number of those books of course have many serious moments, too. Alphabetical by author:

Margaret Atwood’s Oryx and Crake, Jane Austen’s Northanger Abbey, Fredrik Backman’s A Man Called Ove, Charles Bukowski’s Hollywood, Mikhail Bulgakov’s The Master and Margarita, Frances Burney’s Evelina, Charles Dickinson’s The Widows’ Adventure, Stanley Elkin’s The Rabbi of Lud, Helen Fielding’s Bridget Jones’s Diary, Jaroslav Hasek’s The Good Soldier Svejk, Joseph Heller’s Catch-22, Elin Hilderbrand’s The Hotel Nantucket, Jonas Jonasson’s The 100-Year-Old Man Who Climbed Out the Window and Disappeared, Bel Kaufman’s Up the Down Staircase, Steve Martin’s The Pleasure of My Company, Terry McMillan’s How Stella Got Her Groove Back, Viet Thanh Nguyen’s The Sympathizer, Terry Pratchett’s Small Gods, Maria Semple’s Where’d You Go, Bernadette, (Ms.) Lionel Shriver’s So Much for That, Zadie Smith’s White Teeth, Jonathan Swift’s Gulliver’s Travels, J.R.R. Tolkien’s The Hobbit, John Kennedy Toole’s A Confederacy of Dunces, Voltaire’s Candide, and Kurt Vonnegut’s Slaughterhouse-Five, to name a few.

And while Fyodor Dostoevsky’s The Brothers Karamazov is mostly dead serious, it does have one uproarious scene.

Novels you consider very funny — overall or in part?

Misty the cat says: “Odd that one of those cars looks like a dumpster.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about a close school budget vote, a delayed decision on a huge redevelopment project, a student anti-ICE march, and more; all threaded with a weird Tom Hanks movie theme 🙂 — is here.

Favorite Females in Fiction, Recently Read

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Today is International Women’s Day. Over the years, I’ve written blog posts from various angles about women in literature. This time, I’ll focus on some of my favorite women characters in novels I’ve read (though were not necessarily published) during the past couple of years.

Because of its title, the first book that came to mind was Kristin Hannah’s terrific 2024 novel The Women focusing on Vietnam War combat nurses. It stars Frances “Frankie” McGrath, a somewhat-naive young woman from an affluent family who’s forced to mature very quickly while treating horrendous battle injuries. Her two war-zone mentors — Barb Johnson and Ethel Flint — are also memorable in secondary roles.

Hannah’s previous novel, 2021’s The Four Winds, also has a stirring woman protagonist in Elsa Wolcott. (Her 1930s-set story is clearly influenced by John Steinbeck’s The Grapes of Wrath.)

Elin Hilderbrand’s novels — nearly 30 of which I read in 2024 and 2025 — are teeming with compelling women characters. Among my favorites are teacher Mallory Blessing of 2020’s bittersweet 28 Summers (inspired by Bernard Slade’s Same Time, Next Year) and the strong-willed Irene Steele who moves from Iowa to the Caribbean after her husband dies mysteriously in Hilderbrand’s Paradise trilogy (2018/2020/2020).

I was also drawn to another teacher: Maggie Jones of Kent Haruf’s Plainsong, an affecting 1999 novel that features interlocking stories.

And to the brave/beleaguered former government agent who goes by various aliases in Stephenie Meyer’s 2016 thriller The Chemist.

And to 1950s mathematician/astronaut Elma York of Mary Robinette Kowal’s 2018 alternative-history novel The Calculating Stars.

And to Wall Street attorney-turned-Appalachia legal aid attorney Samantha Kofer in John Grisham’s Gray Mountain (2014).

In the sleuth genre, three impressive yet very human/relatable women I’ve recently mentioned in other posts include Robin Ellacott of J.K. Rowling’s 2013-launched series, cold-case detective Karen Pirie of Val McDermid’s 2003-launched series, and private investigator Kinsey Millhone of the late Sue Grafton’s 1982-2017 alphabet-mystery series I’m currently working through (now enjoying Q Is for Quarry).

Among my favorite women characters in novels (some classic) that I read years ago include Jane Eyre in Charlotte Bronte’s book of the same name, Helen Huntingdon of Anne Bronte’s The Tenant of Wildfell Hall, Anne Elliot of Jane Austen’s Persuasion, Maggie Tulliver of George Eliot’s The Mill on the Floss, Denise Baudu of Emile Zola’s The Ladies’ Paradise, Marian Halcombe of Wilkie Collins’ The Woman in White, Ethelberta Petherwin in Thomas Hardy’s The Hand of Ethelberta, Edna Pontellier of Kate Chopin’s The Awakening, Anne Shirley of L.M. Montgomery’s Anne of Green Gables, Renee Nere of Colette’s The Vagabond, Pilate Dead of Toni Morrison’s Song of Solomon, Imogene “Idgie” Threadgoode of Fannie Flagg’s Fried Green Tomatoes at the Whistle Stop Cafe, Eliza Sommers of Isabel Allende’s Daughter of Fortune, and Dellarobia Turnbow of Barbara Kingsolver’s Flight Behavior, to name a few. (Actually, Anne Shirley is only 16 at the end of Montgomery’s book.)

Your thoughts about this topic, and your favorite women characters?

Misty the cat says: “Last night, clocks and patches of snow both moved one hour ahead.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — which comments on a fraught upcoming school budget vote — is here.

From Antigua to Anniversaries (of Notable Novels)

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A street in Antigua, Guatemala, that has nothing to do with the topic of this literature post. 🙂 (Photo by me on January 8.)

Glad to be back! I missed writing a post last week because of a trip I took with my wife Laurel and younger daughter Maria to Guatemala, where Maria was born. A memorable visit that included stops in Guatemala City, Tikal, Antigua, Panajachel, and Guatemala City again.

Today, as I do every January, I’m going to mention well-known novels — many of which I’ve read, some of which I haven’t — reaching major round-number anniversaries. So, in 2026, novels published in 2001 are turning 25, 1976-released books are turning 50, 1926 novels are turning 100, etc.

The first 2001 novel that came to mind was Richard Russo’s riveting Pulitzer Prize winner Empire Falls, set in a Maine blue-collar town.

Released that year, too, was Jonathan Franzen’s The Corrections, about a couple and their three adult children. I liked it better than the author’s much-touted Freedom, though that 2010 novel was pretty good as well.

Also, Yann Martell’s Life of Pi, which features a boy stranded on a boat with a tiger after a shipwreck; Sue Monk Kidd’s The Secret Life of Bees, which has a lot to say about female relationships as well as racism; Ann Patchett’s Bel Canto, a riveting look at a mass-hostage situation; Amy Tan’s The Bonesetter’s Daughter, about a Chinese-American woman and her immigrant mother; Ian McEwan’s Atonement, which I found both compelling and annoying; John Grisham’s semi-autobiographical A Painted House; Neil Gaiman’s fantasy tour de force American Gods; and Jasper Fforde’s clever The Eyre Affair.

Kristin Hannah’s peak as an author was yet to arrive, but her somewhat-early-in-career 2001 novel Summer Island was quite absorbing as it focused on a fraught mother-daughter relationship and rapprochement.

In the series realm, Diana Gabaldon’s fifth Outlander novel (The Fiery Cross) and Lee Child’s fifth Jack Reacher novel (Echo Burning) came out 25 years ago.

The year 2001 also saw the publication of Carlos Ruiz Zafon’s The Shadow of the Wind and Dennis Lehane’s Mystic River, neither of which I’ve read.

In 1976, the most famous release was Alex Haley’s Roots, which was of course the multi-generational American slavery saga about Kunta Kinte and his descendants.

There was also Margaret Atwood’s third novel Lady Oracle, about a woman with multiple identities; and Marge Piercy’s Woman on the Edge of Time, a sci-fi-ish work whose lower-income protagonist is unjustly committed to a psychiatric institution.

Notable 1976 books I haven’t read include Anne Rice’s debut novel Interview with the Vampire and Judith Guest’s made-into-a-memorable-movie Ordinary People.

Exactly a century ago — 1926 — saw the appearance of Ernest Hemingway’s The Sun Also Rises, which I thought was good not great.

An underrated classic that year was L.M. Montgomery’s The Blue Castle, about a young woman who gets very bad news that turns out to be very good news.

There was also Colette’s The Last of Cheri, the sequel to the 1920 Cheri novel about the relationship between a younger man and older woman; and My Mortal Enemy, one of Willa Cather’s lesser works.

Well-known 1926 novels I haven’t read include Agatha Christie’s The Murder of Roger Ackroyd and Upton Sinclair’s Oil!

Published 150 years ago, in 1876: Mark Twain’s iconic The Adventures of Tom Sawyer, about a rascally boy and his friend Huckleberry Finn.

That year also saw the release of Daniel Deronda, George Eliot’s final novel and one of her best. Its title character, who discovers he’s Jewish, interacts with some very memorable people.

In addition, there was Thomas Hardy’s not-famous-but-interesting The Hand of Ethelberta.

Two 1826 highlights were Mary Shelley’s apocalyptic, late-21st-century-set The Last Man and James Fenimore Cooper’s The Last of the Mohicans that unfolds in 1757 during the French and Indian War. Two novels with “Last” in the title that lasted.

And in 1726, 300 years ago, Jonathan Swift’s iconic Gulliver’s Travels was published!

Any thoughts on the novels I discussed? Any other titles you’d like to mention from those anniversary years? (I’m sure I missed some.)

Misty the cat says: “Tofu falling from the sky was not on my 2026 bingo card.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about two meetings, a local anti-ICE protest, and more — is here.

A Semi-Comprehensive Look at Semi-Autobiographical Novels

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In early 2016, I wrote about semi-autobiographical novels. Now that nearly 10 years have passed, I suppose it would be semi-okay to write about those books again — mentioning semi-autobiographical novels I’ve read since then or had read before then but didn’t mention in that previous post. So, with this semi-decent first paragraph nearly done, here goes:

As I wrote in ’16, semi-autobiographical novels “can be the best of both worlds for authors and their readers. That mix of memoir and fiction takes facts and embellishes them and/or dramatizes them and/or smooths them into more coherent form. A partly autobiographical approach also allows authors to potentially pen very heartfelt books — after all, they lived the emotions — and perhaps provides those writers with some mental therapy, too.” I also wrote that a semi-autobiographical novel is often, but of course not always, a debut novel — at least partly because that kind of book might be easier to write; the author can use aspects of her or his own past.

Back here in late 2025, I just read The Cat’s Table by Michael Ondaatje, whose 2011 coming-of-age novel was inspired to an extent by the author’s life and a ship voyage he took as a boy from his native Sri Lanka to rejoin his mother in England after his parents had separated several years earlier. A boy named…hmm…Michael. The Cat’s Table is another compelling book by The English Patient author, who went on to live in Canada.

Another semi-autobiographical/coming-of-age novel (those two things often go together) is Betty Smith’s 1943 bestseller A Tree Grows in Brooklyn — about a brainy girl (Francie) growing up in an impoverished urban family.

Then there’s Little Women by Louisa May Alcott, who loosely based her classic 1868-69 novel on herself and her three sisters.

A few decades earlier, Mary Shelley’s apocalyptic 1826 novel The Last Man featured three principal characters based on herself, her late husband Percy Bysshe Shelley, and their friend and fellow writer Lord Byron.

Aldous Huxley also used famous people as models for characters in his 1928 novel Point Counter Point — including himself, Nancy Cunard, D.H. Lawrence, and Katherine Mansfield.

The characters in Harper Lee’s To Kill a Mockingbird (1960) are somewhat modeled on the author’s father (attorney Atticus Finch in the novel), herself (Scout in the book) and Lee’s childhood friend Truman Capote (fictionally named Dill).

Kurt Vonnegut’s horrific World War II experiences were fuel for his sci-fi-infused 1969 novel Slaughterhouse-Five, and Jack Kerouac’s travel experiences provided fodder for his On the Road (1957).

Some of the semi-autobiographical novels mentioned in my 2016 post include James Baldwin’s Go Tell It on the Mountain, Ray Bradbury’s Dandelion Wine, Charlotte Bronte’s Villette, Rita Mae Brown’s Rubyfruit Jungle, Charles Bukowski’s Hollywood, Willa Cather’s My Antonia, Colette’s The Vagabond, Charles Dickens’ David Copperfield, E.L. Doctorow’s World’s Fair, Fyodor Dostoevsky’s The House of the Dead, George Eliot’s The Mill on the Floss, Nathaniel Hawthorne’s The Blithedale Romance, Zora Neale Hurston’s Their Eyes Were Watching God, Jack London’s Martin Eden, W. Somerset Maugham’s Of Human Bondage, Herman Melville’s Typee, L.M. Montgomery’s Emily trilogy, Sylvia Plath’s The Bell Jar, Erich Maria Remarque’s All Quiet on the Western Front, John Steinbeck’s East of Eden, and Amy Tan’s The Joy Luck Club.

Your thoughts about, and examples of, this topic?

Misty the cat says: “When Christmas-tree lights reflect off the window, it’s a pane in the grass.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — which contains a tale of two meetings — is here.