jane-eyre

Fictional People Are Getting Deported, Too

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The Trump regime’s cruel deportation program has extended to fictional characters. And this program is widespread: affecting characters from the United States or other countries, characters who live in the present or lived in the past, etc. Because novels can make readers smarter and more empathetic, most of today’s Republicans feel many characters have to be removed from the pages where they live — including pages in some of my favorite literature.

I first heard about character deportations when The Grapes of Wrath‘s Tom Joad, who develops a stronger class consciousness as John Steinbeck’s book goes on, was yanked from the novel by Trump’s masked ICE agent goons. Determined to find Tom, the rest of the Joad family traveled east instead of west and ended up picking crops in New York City’s Times Square. Needless to say, not much was growing through the pavement.

ICE agents also plucked Jane Eyre from Charlotte Bronte’s novel because she’s a determined young woman too independent-minded for Trump’s taste, and doesn’t have big blonde hair like many Fox News hosts do. So, U.S. Secretary of Education/wrestling biz wacko Linda McMahon substituted for Jane as little Adele’s teacher, and Rochester instead fell in love with a Disney princess.

Of course, characters of color are most at risk of the Trump regime’s deportations, and Bigger Thomas of Richard Wright’s Native Son was no exception. Plus his attorney is a communist! With Bigger no longer around as a client, that lawyer represented Jane Eyre as she tried to return to her novel, but Jane instead got sent to Florida’s “Alligator Alcatraz” two centuries before that repugnant concentration-camp-like jail was built.

Clara del Valle Trueba was also deported — from The House of the Spirits. After being kicked out of Isabel Allende’s novel, the clairvoyant Clara took her knowledge of Trump’s guilt in the sickening Epstein pedophile scandal and started a blog about that. Because Clara had been in a magic-realism book, the blog levitated out of her computer screen — which puzzled WordPress customer support.

In Daniel Deronda, Daniel D. and Mirah Lapidoth and Ezra Mordecai Cohen are idealistic proto-Zionists rather than the U.S.-armed genocidal Zionists in Israel’s current leadership who are mass-murdering Palestinian civilians, so the three were deported when entering a government office to register as George Eliot characters. That left Gwendolen Harleth wandering around Eliot’s 19th-century novel, searching for a Burger King in which to have lunch.

Atticus Finch? Taken from To Kill a Mockingbird for being an attorney with integrity. This came after some Trump regime hesitation to deport Finch because author Harper Lee had the same last name as Confederate traitor Robert E. Lee, the Civil War general greatly admired by right-wingers for fighting to defend the appalling institution of slavery. But Atticus did ultimately get booted from To Kill a Mockingbird before joining Donna Tartt’s The Goldfinch novel starring a painting of a bird sharing his last name.

In J.K. Rowling’s Harry Potter books, every character except the ultra-evil Lord Voldemort was deported to make the series more palatable for Republican fascists. One of the characters, Nearly Headless Nick, went on to successfully lose 10 pounds by becoming Completely Headless Nick.

But no character was spared from deportation in Arundhati Roy’s The God of Small Things because Trump erroneously thought the title of that novel referred to his fingers and his…

Misty the cat says: “Where’s my teen human? Oh, she went away to college last weekend.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Misty says Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about the spending to date of money authorized by my town’s massive 2022 school bond referendum — is here.

Reimagination Actualization

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Four years ago, I blogged about fiction that uses previous fiction as a jumping-off point — and perhaps reimagines well-known characters. This post is sort of a sequel to that post, taking a somewhat different angle and including several novels I’ve read since 2021.

In general, I’m not a huge fan of fiction that’s heavily inspired by a famous work; I’d rather writers be more original than that. Still, there have been some excellent novels that offer insights into the previous work and might be great in their own right.

My latest encounter with this reimagining phenomenon was Queen Macbeth, Val McDermid’s 2024 novella that takes a fascinating approach to characters in Shakespeare’s iconic Macbeth play. The book is excellent, giving Lady Macbeth a more positive (and more historically accurate) persona as a compelling plot unfolds in two different timelines.

McDermid’s book reminded me a bit of Margaret Atwood’s 2005 novella The Penelopiad (mentioned in my 2021 post) that gives Penelope a bigger and more feminist role than she had in Homer’s ancient Odyssey poem.

There’s also Demon Copperhead, Barbara Kingsolver’s 2022 tour de force that gives Charles Dickens’ 1850 classic David Copperfield a modern spin in America’s Appalachian region during the opioid epidemic.

Kristin Hannah’s gripping 2021 novel The Four Winds was obviously inspired by John Steinbeck’s The Grapes of Wrath (1939), but it’s still plenty original and differs in featuring a female protagonist. (The title character in Demon Copperhead is male.)

Zadie Smith has described the structure/focus of her novel On Beauty (2005) as an homage to E.M. Forster’s Howards End (1910).

In her also-published-in-2005 novel March, Geraldine Brooks takes the father from Louisa May Alcott’s 1868-released Little Women and gives him his own story.

I haven’t read it yet, but Percival Everett’s acclaimed James (2024) reimagines Mark Twain’s Adventures of Huckleberry Finn (1884) from the perspective of the escaped slave Jim.

In my 2021 post, I mentioned the 1966 novel Wide Sargasso Sea, in which Jean Rhys gives three-dimensionality to the “madwoman in the attic” of Charlotte Bronte’s novel Jane Eyre; Rhys’ creation is in effect a prequel to Bronte’s 1847 book. I also discussed the novel (by Gregory Maguire) and the play Wicked, which sympathetically portray the Wicked Witch from L. Frank Baum’s The Wonderful Wizard of Oz novel (1900) and The Wizard of Oz movie (1939).

Mentioned as well in that post were Isabel Allende’s 2005 novel Zorro, Jasper Fforde’s 2001 novel The Eyre Affair, and Seth Grahame-Smith’s 2009 Jane Austen parody Pride and Prejudice and Zombies — the last of which I haven’t felt the “Persuasion” to read.

Comments about, and examples of, this theme?

Misty the cat says: “My right turn has nothing to do with politics.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Misty says Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about a badly maintained lower-income apartment building, a change in venue for a senior center, and more — is here.

When Authors Insert Hurt

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My screen grab from the 2011 Jane Eyre movie shows the injured Rochester just after he struggles back onto his horse.

As I recover from a broken toe, I’ve thought about injuries in literature — many of them more serious than a broken toe. What first came to mind was Annie Proulx’s short story “Broketoe Mountain.” 🙂 Or was that “Brokeback Mountain”? 🤔

Injuries in fiction (whether accidental or deliberately caused by a malicious person) are often more than incidental elements in story lines. They can help shape a plot, offer insight into how stoic and resilient the injured character might or might not be, give a hurt character more time to do other things and think about things, etc.

Now I’ll offer a few examples, some of which I’ve mentioned in past posts.

There are two significant injuries in Charlotte Bronte’s Jane Eyre. Fairly early in the 1847 novel, Edward Rochester’s spooked horse stumbles when its rider first encounters new governess Jane, throwing him to the ground and badly spraining his ankle. Jane’s immediate reaction to this incident shows her skill as well as calmness under pressure, and Rochester being homebound during his subsequent recuperation gives him and Jane a chance to get to know each other — which leads to subsequent dramatic events. I’ll refrain from discussing the book’s second set of injuries to avoid a spoiler for anyone who has yet to read Bronte’s iconic British novel.

Across “the pond” four years later, American author Herman Melville’s Moby-Dick was published. In the novel’s back story, Captain Ahab had part of his leg chomped off by the white whale of the title, and his obsessive pursuit of revenge against the massive sea creature is what drives the 1851 book’s plot.

In the much-more-recent Demon Copperhead (2022), the very-challenged-by-life title character of Barbara Kingsolver’s modern-day take on Charles Dickens’ David Copperfield (1850) suffers a severe knee injury while playing high school football — which becomes a big factor in his spiraling into the opioid addiction also afflicting many of his fellow residents of America’s Appalachian region.

U.S. soldier Joe Bonham of Dalton Trumbo’s Johnny Got His Gun (1939) is horrifically/permanently injured by an exploding artillery shell during World War I, and his bitter thoughts in the time after that make for a devastating anti-war argument.

In Scottish author Josephine Tey’s 1951 novel The Daughter of Time, 20th-century police inspector Alan Grant is confined to a hospital bed with a severely broken leg. That enforced inactivity gives him the time and the avoid-boredom desperation to investigate the alleged 15th-century crimes of King Richard III.

Near the start of Edith Wharton’s Ethan Frome, we see that the title character had been badly injured at some point. The 1911 novel goes on to heartbreakingly explain the love story leading to that.

When 20th-century Claire first meets 18th-century Jamie in Diana Gabaldon’s first Outlander book (1991), the Scottish warrior’s shoulder is dislocated. The time-traveling Claire, a nurse who later becomes a physician, expertly snaps the stoic Jamie’s shoulder back into place — illustrating the advances of modern medicine while getting the epic Claire/Jamie relationship started on the basis of mutual respect.

Parts of limbs are lost — in various tragic scenarios — in novels such as Octavia Butler’s Kindred (1979), Alex Haley’s Roots (1976), Stephen King’s Misery (1987), and J.K. Rowling’s seven (so far) Cormoran Strike/Robin Ellacott crime books published between 2013 and 2023. Those grievous injuries are all very relevant to the respective plots and shaping of the affected characters.

Physical injuries caused by domestic violence are a way for authors to convey how awful this violence is — with what happens in Kristin Hannah’s The Great Alone (2018) just one of countless examples. And of course there’s also the psychological trauma inflicted by domestic abusers.

Two more book mentions:

I recently read Val McDermid’s Still Life (2020), the sixth installment of the excellent series starring brilliant, dogged cold-case detective Karen Pirie. In this installment, her nice/loyal/not-super-bright-but-learning assistant investigator Jason Murray is injured by a criminal suspect and ends up trapped in a locked basement.

And my own fiction/fact hybrid, Misty the Cat…Unleashed, includes some pages about my teen daughter Maria tearing her ACL in 2022 and getting reconstructive surgery because of a gymnastics accident. While the 2024 book was published before all the ramifications of this mishap would unfold, the tear/operation/rehab changed the course of Maria’s life: which sport she would switch to (crew), which university she would enter this fall because of getting recruited for that sport (Boston University), and which career path she would choose (the health-care field). Major injuries can do that.

Any comments about, and/or examples of, this topic?

Misty the cat says in 2020: “This is not your typical municipal library.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Misty says Amazon reviews are welcome. 🙂 )

This 90-second promo video for my book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book…

…and a 2012 memoir that focuses on cartooning and more.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — about too many topics to list 🙂 — is here.