When Entertainers Enter Novels

The French author Colette (1873-1954).

Among the memorable characters in literature are entertainers: actors, actresses, singers, musicians, etc.

Many dramatic possibilities with these fictional “show biz” people — including creative highs and lows, how they handle fame or lack of fame, how they handle wealth (if wealthy), how they deal with loneliness on the road, and so on. These characters might be flamboyant, charismatic, egotistic, shallow, surprisingly decent, beloved, wedded to their work at the expense of relationships…

I thought about all that last week as I read The Parasites, a lesser-known novel by Daphne du Maurier. The absorbing 1949 book focuses on three siblings – intermittently depicted as kids and as adults – whose self-centered parents were acclaimed stage performers. Two of those siblings become performers themselves (one’s an actress and the other is a pianist who composes fluffy, very popular songs) and they are spoiled/often-irresponsible sights to behold.

More novels I’ve read with performers at the center or as notable supporting characters? One of them is Colette’s semi-autobiographical The Vagabond (1910), about an independent-minded divorcee who becomes a music-hall dancer to support herself. I’ve read most of Colette’s novels, and I think this is her best.

Also semi-autobiographical is Charles Bukowski’s Hollywood (1989), a fictionalized/satirical version of the author’s experiences as a screenwriter for the 1987 film Barfly starring Mickey Rourke and Faye Dunaway.

Then there’s The Song of the Lark (1915), a poignant Willa Cather novel about an ambitious young woman from a small town who becomes a famous opera singer — and the joys and sacrifices that went along with that.

Ann Patchett’s Bel Canto features an opera singer, too. In the 2001 novel, that singer and others are taken hostage during a private concert she’s giving for bigwigs.

A significant supporting player in Jonathan Franzen’s Freedom (2010) is a rock musician who was a college friend of one of the novel’s two main characters and later has a brief affair with that friend’s wife (the book’s other co-star).

Also in the secondary character realm is the teen Hollywood actress who becomes infatuated with the married male protagonist in F. Scott Fitzgerald’s Tender Is the Night (1934). Another semi-autobiographical novel.

The protagonist in Tom Perrotta’s The Wishbones (1997) is a musician in a New Jersey wedding band trying to decide between being with a fairly conventional New Jersey woman or a more “hip”/edgy New York City woman.

Wilkie Collins’ 1862 novel No Name includes a character whose acting skills from her theatrical career come in handy when navigating an unusual family crisis.

While the main character in Walker Percy’s The Moviegoer (1961) is a film-watching stockbroker rather than an entertainer, I feel that novel deserves an honorable mention here.

I’ll add that some writers of novels have been actors/actresses or worked in other parts of the entertainment world — including Fannie Flagg, Thomas Tryon, Steve Martin, and David Duchovny, to name four.

Thoughts about, and examples of, today’s theme?

Misty the cat says: “Here’s where ‘Singin’ in the Rain’ was filmed, but I didn’t hear any singing.”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — which comments on a not-needed name change for a future park, my town’s hopeful divestment from a bank helping to fund cruel federal immigration detention centers, and another hiring of a high-paid administrator in a school district (mine) where teachers have been laid off — is here.

1930s Novels Remind Us of Today

From The Grapes of Wrath movie. (20th Century Fox/Getty Images.)

After mentioning Daphne du Maurier’s great 1938 novel Rebecca in last week’s post about Gothic fiction, I thought of other books from that decade and how those years were a significant time in literature as well as quite relevant to the 2020s. After all, both decades had/have war, a rise in authoritarianism, major economic problems, and more.

So, I’m going to discuss a number of novels I’ve read, and a few I haven’t, that were published in the 1930s.

One that immediately came to mind is John Steinbeck’s 1939 classic The Grapes of Wrath, which focused on the Joad family but also took a wider look at the impact of The Great Depression bedeviling the U.S (and most of the world) that decade.

Steinbeck also wrote other notable 1930s novels — including Tortilla Flat (1935), In Dubious Battle (1936), and Of Mice and Men (1937) — that reflected social conditions. In Dubious Battle focused on a strike, fitting for a decade when labor flexed its muscles.

It Can’t Happen Here (1935) is a dystopian Sinclair Lewis novel imagining the rise of fascism in the U.S. — making it almost a primer for current dictator wannabe Donald Trump. (Although Trump is notoriously known for not reading books.)

War? Two of Erich Maria Remarque’s lesser-known novels: The Road Back (1931) and Three Comrades (1936) — have World War I elements. (The Road Back was a sequel of sorts to Remarque’s 1929-published All Quiet on the Western Front.) The American Civil War is a backdrop to Margaret Mitchell’s Gone with the Wind (1936). And Dalton Trumbo’s Johnny Got His Gun (1939) makes a powerful antiwar statement.

The 1930s were also significant writing years for William Faulkner: As I Lay Dying (1930), about a family and its journey to bury their matriarch; Light in August (1932), whose characters include a multiracial (?) drifter; and other works.

Then there was the 1934 publication of F. Scott Fitzgerald’s perhaps second-best novel, the semi-autobiographical Tender Is the Night.

Three years later, Zora Neale Hurston’s Their Eyes Were Watching God (1937) featured the memorable experiences of protagonist Janie Crawford.

That decade’s other notable book releases included — to name just a few — Mildred Benson’s The Secret of the Old Clock (1930), the first Nancy Drew mystery; Dashiell Hammett’s The Maltese Falcon (1930), featuring private investigator Sam Spade; Dorothy L. Sayers’ Strong Poison (1930), with mystery writer Harriet Vane and Lord Peter Wimsey; Pearl S. Buck’s China-set classic The Good Earth (1931); Aldous Huxley’s dystopian classic Brave New World (1932); and Erskine Caldwell’s Tobacco Road (1932).

Also: James Hilton’s Lost Horizon (1933), set in a mythical paradise; Daphne du Maurier’s Jamaica Inn (1936), which was also mentioned in last week’s blog post about Gothic fiction; Ernest Hemingway’s To Have and Have Not (1937), starring a fishing captain; J.R.R. Tolkien’s The Hobbit (1937), the fantasy novel that became the prequel to the 1950s-published The Lord of the Rings trilogy; Marjorie Kinnan Rawlings’ The Yearling (1938), about a boy and his fawn; Agatha Christie’s mystery And Then There Were None (1939); and Raymond Chandler’s The Big Sleep (1939), starring sleuth Philip Marlowe.

While writing this, I remembered that I had done a 2023 piece focusing on novels published in 1937. But the other years in that decade were not included in that post. 🙂

My list of 1930s novels is of course incomplete. Your favorites from that decade, whether mentioned by me or not?

Misty the cat says: “I own all this land, but where did I put the deed?”

My comedic 2024 book — the part-factual/part-fictional/not-a-children’s-work Misty the Cat…Unleashed — is described and can be purchased on Amazon in paperback or on Kindle. It’s feline-narrated! (And Amazon reviews are welcome. 🙂 )

This 90-second promo video for the book features a talking cat: 🙂

I’m also the author of a 2017 literary-trivia book

…and a 2012 memoir that focuses on cartooning and more, including many encounters with celebrities.

In addition to this weekly blog, I write the 2003-started/award-winning “Montclairvoyant” topical-humor column every Thursday for Montclair Local. The latest piece — which has a literature theme connected to local news in my town — is here.